18th-19th century
This painting features a procession scene with several Hindu deities who are surrounded by various human, mythical, and zoomorphic creatures. At the center is the Hindu god Shiva, lord of destruction. He possesses several of his iconic attributes: matted hair, cobras, his trident, third eye, and a font of water, representing the sacred Ganges River, issuing from his hair. He is also riding on Nandi, his beloved bull mount. Facing him is a priest carrying prayer beads in one hand and a stringed instrument in the other, as well as the god Brahma, lord of creation. He bears his iconic four heads that represent the cardinal directions. Behind Shiva and Nandi is a form of the goddess Kali. Kali is the vengeful manifestation of the goddess Durga. In some mythologies, she is the wife of Shiva. Kali is depicted here naked, with three heads that bear fangs, and with her iconic dark skin. This double-sided folio possibly belongs to a Ramayana manuscript produced in Sirohi. Other folios from the same manuscript in the Harvard Art Museums’ collections are 1973.164, 1973.165, 1973.166.A, 1973.166.B, 1973.167, 1973.168.A, 1973.168.B, 1973.169, 1973.170.B, 1973.171. Rajput, Rajasthani, Sirohi School.
22.23 x 26.67 cm (8 3/4 x 10 1/2 in.)
The forty-fifth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseGold on leather cover
19th centuryOttomanInk, opaque watercolor and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
13th centuryIslamicInk, opaque watercolor, gold, and silver on paper
17th centuryPersianOpaque watercolor and gold on paper
19th centuryPersianInk on paper
CopticInk, opaque watercolor and gold on paper
16th centuryPersianInk and opaque watercolor on paper
17th centuryIndianInk, colors, and gold on paper
19th centuryOttomanTwo-sided horizontal accordion-fold album; ink, color, and gold on paper
19th centuryThaiInk, opaque watercolor and gold on paper
16th centuryPersian