16th century
A central yellow medallion anchors this busy composition of animals, palmettes, and vegetation. Pairs of animals, ranging from goats to cheetahs, tigers, and deer, are scattered throughout its main field. This carpet once belonged to the British artist Frederic Leighton (d. 1896), who was fascinated with the decorative arts of the “Near East” and built his home with an “Arab Hall” featuring tilework and other furnishings either purchased from the Islamic world or inspired by its designs. This carpet certainly inspired the artist. Photographs show that it was kept in his studio, and he faithfully rendered it as a backdrop for one of his paintings, Day Dreams (1882).
235.59 x 160.02 cm (92 3/4 x 63 in.)
Sir Frederick Leighton, London, (by 1882-1896). Joseph V. McMullan, New York, (by 1965-1974), bequest; to the Fogg Museum, 1974.
Warps: 3 Z spun S plied undyed white wool, some slightly darker; alternate warps slightly depressed. Weft: 1 ply Z spun undyed buff, or dyed red (Qashqai); 2 or 3 yarns per shoot. Pile: 2 S plied Z spun wool. Pile colors: dark indigo blue, blue green, medium blue, yellow, yellow green, white, dark brown/black. Knots: asymmetrical, open to the left. Knots per vertical decimeter: 49. Knots per horizontal decimeter: 48. Both selvedges: rewrapped. Top end: approz 1 cm. blue and white double cloth float weaved followed by double line countered soumak in red and white. Bottom end: stripped.
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