1689
This painting is based on an engraving made by the Flemish artist Vosterman, after Rubens' work 'The Return from the Flight into Egypt'. It shows Mary, Joseph, and child Jesus returning to their homeland after their flight to Egypt. Two lines of Persian inscriptions written in nastaliq script can be seen on the top and bottom of the page. The inscription indicates that Muhammad Zaman finished it in August-September of 1689 in the capital city of Isfahan and it is dedicated to Isa (Jesus). Jesus is considered a great prophet in Islam and it is likely that the painting was made for a Christian patron, perhaps an Armenian in Julfa. The painting is done on paper and displays Muhammad Zaman's attempts at creating modeling, three-dimensionality, and perspective. The artist is known to have worked from European prints available in Iran at that time.
21.6 x 14.5 cm (8 1/2 x 5 11/16 in.) frame: 48.6 x 38.4 x 2.5 cm (19 1/8 x 15 1/8 x 1 in.)
Fredrik Robert Martin, Florence, (by 1912). John Goelet, New York and London, (by 1966), gift; to the Fogg Museum, 1966.
Paper-cord-bound book; ink on paper; (kusazōshi)
19th centuryJapaneseHanging scroll; ink on paper
18th centuryJapaneseImage: ink and color on silk; Calligraphy: ink and color on paper
ChineseHandscroll; ink on paper; with artist inscription and signature reading "Jin Jin Yanhui Xie"; multiple colophons
15th centuryChineseHandscroll; gold and silver pigments on indigo-dyed paper
JapaneseInk, colors and gold on paper, mounted on board
20th centurySet of ten thread-bound books; ink and color on decorated paper with designs in gold
17th centuryJapaneseAlbum of fans; ink, color and gold on paper with gold sunago
19th centuryJapaneseAlbum leaf mounted as a hanging scroll; ink, color, and gold on paper
17th-19th centuryJapaneseHandscroll; gold and silver pigments on indigo-dyed paper
ChineseAlbum of fans; ink, color and gold on paper with gold sunago
19th centuryJapaneseImage: ink and color on silk; Calligraphy: ink on paper
Chinese