16th-17th century
Lines intersect and interlace to form a star and polygon pattern in this ceiling fragment. In prestigious buildings, panels of cedar carved and painted with complex designs were often employed to cover the wooden beam construction used throughout Morocco during the reigns of the Saʿdid (1554–1659) and early ʿAlawid (1664–present) dynasties. For viewers glancing upward, the pattern may have seemed celestial, alluding to a divinely ordered universe. The interlacing geometric mode of ornament underwent intense development around the year 1000 in Baghdad, the capital of the Abbasid Empire. Initially applied to objects or parts of buildings with symbolic or religious value, the style came to be used for a broad range of structures and portable objects. Geometric interlace spread eastward and westward, but its decorative possibilities — rhythmic and complex, yet austere — found particular favor across North Africa from the late eleventh to the early seventeenth century.
H: 74 x W: 67 x Depth no greater than: 17 cm (29 1/8 x 26 3/8 x 6 11/16 in.)
[Spink and Son, Ltd, London, 1981], sold; to Fogg Art Museum, 1981.
Marble, seemingly from Asia Minor
2nd-1st century BCEGreekLimestone
4th-5th century CECopticLimestone
12th centuryFrenchLimestone
5th centuryCopticFritware, painted under glaze
16th centuryTurkishMarble
11th-15th centuryItalianLight gray earthenware with mold-impressed decoration. Reportedly from Kyŏngju, North Kyŏngsang province.
7th-10th centuryKoreanLimestone
5th centuryCopticMedium gray earthenware with mold-impressed decoration
10th-14th centuryKoreanLimestone
12th centuryFrenchMarble
10th-13th centuryItalianLimestone
10th-12th centuryItalian