early 19th century
This highly stylized calligraphic composition is shaped in the form of a mihrab, a niche in a mosque that points toward Mecca, the direction in which Muslims face during prayer. Written in the Kufic script, it comprises eight sections. The two upper triangles contain the bismillah: “In the name of God, the Compassionate, the Merciful.” The four central squares represent verses 51 and 52 of surah 68 al-Qalam (“the Pen”) of the Qurʾan: “And lo! those who disbelieve would fain disconcert thee with their eyes when they hear the Reminder, and they say: Lo! he is indeed mad. When it is naught else than a Reminder to creation.” The arrangement ends with “Whatever God wishes” (lower right), an apotropaic phrase to ward off the evil eye, and “Praise be to God, Lord of the Worlds” (lower left), an invocation from the opening of the Qurʾan (1:2).
23.18 x 15.24 cm (9 1/8 x 6 in.)
Painted wood panel with leather trim
19th centuryOttomanHanging scroll; ink on paper
18th centuryJapaneseHandscroll fragment; gold ink on indigo-dyed paper; excavated in 1671 at Kimbusen-ji sutra mound, Mount Yoshino, Nara prefecture
17th-20th centuryJapaneseThree sheets of paper mounted as a handscroll; ink on paper
13th centuryJapaneseOne of a pair of hanging scrolls now mounted as the third and fourth panels of a ten-panel folding screen; ink on paper decorated with seven dragon-and-pearl roundels interspersed with designs of flying bats and scrolling clouds, the decorations all painted in ink; with signature reading "Sŏk-ch'on Cho-su"; with two seals of the artist reading "Yun Yong Ku In" and "Yŏk Su Hŏn"
19th-20th centuryKoreanTwenty manuscript books; ink on paper, with cover paintings in gold pigment on indigo-dyed paper
17th centuryJapaneseHandscroll; ink on decorated silk with designs in color and gold
17th-18th centuryJapaneseInk on paper
13th centuryJapaneseTwenty manuscript books; ink on paper, with cover paintings in gold pigment on indigo-dyed paper
17th centuryJapaneseTwo handscrolls; ink on colored silk with woven-pattern including gold
17th-18th centuryJapaneseEight-panel folding screen; ink on gold-flecked yellow paper; with two seals of the artist
19th centuryKorean39th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapanese