c. 1640
In the poetry accompanying the Vilaval Ragini, it describes a young heroine (nayika) preparing to meet her lover. She is commonly shown looking into the mirror as she puts on her jewelry. In this painting, she sits on a daybed putting on her earrings while a female attendant holds up a mirror for her. Two other female attendants are present, one holds up a fly whisk behind the heroine and the other peers at the scene from behind a door. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. Rajput, Rajasthani, Mewar School.
sight: 26.04 x 20.64 cm (10 1/4 x 8 1/8 in.)
Ink, opaque watercolor and gold on paper; Mughal Style
17th centuryIndianOpaque watercolor and gold on paper; Malwa Style
17th centuryIndianOpaque watercolor and gold on paper
17th centuryIndianInk, opaque watercolor and gold on paper, modern binding
17th centuryIndianInk, opaque watercolor and gold on paper
17th centuryIndianOpaque watercolor and gold on paper; Rajput Style
17th centuryIndianOpaque watercolor and gold on paper; Pahari Style
17th centuryIndianOpaque watercolor and gold on paper; Rajput Style, Mewar School
17th centuryIndianInk, opaque watercolor and gold on paper
17th centuryIndianOpaque watercolor and gold on paper
17th centuryIndianInk, opaque watercolor and gold on paper
17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndian