1500-1510
This tapestry is a fragment of a larger composition which shows a courtly gathering in a landscape. This type of work is typically called a "seigneuriale" tapestry. In the foreground, a messenger wearing a wide-sleeved, ermine-lined cloak delivers a letter to a woman seated on a throne comprised of classical, Corinthian columns. A company of male and female courtiers wearing fancy costumes are disposed across the left of the tapestry in two tiers. The subject can perhaps be identified as Queen Esther hearing of Haman's plot as there are close compositional parallels between this tapestry and a complete Esther tapestry in the Victoria and Albert Museum in London. The tapestry's borders have winding branches of leaves and fruits. The Renaissance architectural elements, the elaborate costumes, and relatively large size of the figures vis-a-vis the surroundings suggests that the tapestry was produced in Brussels around 1500-1510.
271.8 x 429.3 cm (107 x 169 in.)
Double weave of cotton and plastic fibers
20th centuryCroatianInk on silk
20th centuryAustrian
Fiber
20th centuryGermanRibbed silk with supplementary silk and metallic yarns (gilt frisé)
19th centuryFrenchFiber
SpanishInk on silk
20th centuryAustrianSilk on cotton
20th centuryAfghanResist-dyed gray silk crepe (chirimen) with "twilight dying" (akebono-zome) designs utilizing paste-resist (yuzenzome) and hand-painted techniques; selected motifs embroidered with polychrome silk and gold threads
19th centuryJapaneseWool and linen, tapestry woven
Byzantine