16th century
Chasuble of deep blue silk cut velvet with applied embroidery orphrey panels front and back. Front panels depict Saint James the Greater (top), a bearded male saint (bottom), both standing on a tile floor under a niche. Back panels from top to bottom are separated by decorative elements (a shell, a mosque motif and a stained glass motif): a half-length female saint, a martyred monastic saint and a half-length annunciating angel. Embroidery incorporates split and couched stitches.
99 × 54 cm (39 × 21 1/4 in.)
Harry G. Friedman, New York, Gift to Fogg Museum, 1960.
Wool and linen
ByzantineCellophane and cotton, weft faced 2/2 twill weave
20th centuryGermanPolychrome silk-floss embroidery in satin stitch on a dark blue silk damask ground and gold thread border
19th centuryKoreanwool pile on a foundation of cotton warps and wefts
19th centuryPersianSilk, metallic yarns (filé. lamé and frisé) and sequins
18th-19th centuryItalianRed silk twill with embroidered decoration
18th-19th centuryChinesePlain-woven wool
14th-15th centurySpanish