16th century
Chasuble of deep blue silk cut velvet with applied embroidery orphrey panels front and back. Front panels depict Saint James the Greater (top), a bearded male saint (bottom), both standing on a tile floor under a niche. Back panels from top to bottom are separated by decorative elements (a shell, a mosque motif and a stained glass motif): a half-length female saint, a martyred monastic saint and a half-length annunciating angel. Embroidery incorporates split and couched stitches.
99 × 54 cm (39 × 21 1/4 in.)
Harry G. Friedman, New York, Gift to Fogg Museum, 1960.
Silk and metallic yarns filé
16th centuryItalian?Polychromed silk and metallic yarns (silver lamé and gilt frisé)
16th-17th centuryEuropeanVoided velvet with moire silk
19th-20th centuryEuropean?Silk long-armed cross and four-sided stitch on a cotton ground.
17th-18th centuryMoroccanLinen and wool, tapestry woven
5th-6th centuryCopticWool and silk
16th centuryFlemishFiber
20th centuryGermanYellow satin ground with embroidered decoration
18th-19th centuryChineseBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapaneseWool pile on
19th centuryPersian