c. 1730
Point composition of stylized poppies, tulips, carnations and other small flowers and foliage in shades of salmon, green and purple on ivory-coloured ribbon silk ground; pieced horizontally and vertically; backed in linen plain weave with applied border of woven yellow silk braid
188.91 x 100.01 cm (74 3/8 x 39 3/8 in.)
Lucy Wallace Porter, bequest; to Fogg Art Museum, 1962
Velvet
compound silk and metal thread weave, with supplementary weft floats
17th centuryPersianVegetable-dyed, handspun cotton with stenciled paste-resist decoration
18th-19th centuryJapaneseLinen
Wool and silk
16th centuryFlemishWarps: 2 Z spun S plied undyed ivory wool on 2 distinct levels. Wefts: 1 Z spun wool in red, white and ornage; 2 yarns per shoot; pronounced lazy lines. Pile: 2 Z spun S plied woo. Pile colors: dark red (abrashed), pale orange, pale red (shifting from orange-ish to purplish), yellow-beige, very pale green, light grey, blue grey, dark blue, white undyed wool, dark black-brown, and white cotton which has turned a sort of ecru color. Knots: symmetrical. Woven upside down. 70 knots per vertical decimeter. 45 knots per horizontal decimeter. Both selvedges: replaced. Top end: 1 cm. green and red tapestry weave, stripped. Bottom end: 1 1/2 cm. green tapestry weave in 1/2 cm green and red stripes, stripped. Woven upside down.
19th centuryTurkishSilk, Ikat woven
UzbekTextile fibers
16th centuryFlemishWool
18th-19th centuryCentral AsianLong-armed cross and four-sided silk stitch on a cotton ground.
17th-18th centuryMoroccan