second half 16th century
This hanging panel is made from a cope orphrey and has five sections depicting from top to bottom: Saint Elizabeth and Saint John the Baptist (or the Virgin and Christ Child); Saint Peter; Saint Andrew; Saint Paul; Saint Bartholomew The figures sit on stone benches under archways in landscapes; above each arch is a pedestal supporting a low fruit-filled vase. Each of the five panel sections is framed with twisted cord galloons. The faces are embroidered using split stitches to create "needle painting". Chain stitches and "or nué" (shaded gold) are also employed. A later backing fabric is used of red cotton satin.
229 x 27.5 cm (90 3/16 x 10 13/16 in.)
Nettie G. Naumburg, New York, Bequest to the Fogg Art Museum, 1930.
Fiber
French
Wool on canvas in a plexiglass frame
20th centuryGermanBook of swatches mounted on paper (56 sheets)
19th-20th centuryJapanese
Textile fibers
20th centuryGermanWool and silk
19th centuryFrenchCotton and wax-covered cotton in blue and black, twill weave
20th centuryGermanIrregular twill weave of cotton fibers
20th centuryCroatianWarps: undyed white cotton, 2 Z spun S plied. 34 warps per decimeter. Wefts: wool, Z spun; varied pairs and singles per shot. Extremely eccentric wefts, supplementary wefts for broceaded ornaments. Weft color: blue (heavily abrashed), red (heavily abrashed), green (probably indigo sulfonic, heavily abrashed), yellow, undyed white, light purply brown, corrosive brown, genuine purple/aubergine. Both selvedges: return wefting. Top and bottom: between 8 and 11 warps in a knotted fringe.
19th centuryTurkishVelvet
19th-20th centuryEuropean?Fiber
Italian