16th-17th century
Panel depicting from top: God the Father with a triangular halo, holding an orb and flanked by angels; central panel is missing; a bishop saint with a crozier and a book wearing a mitre, an alb (white undergarment), blue gloves, rings on fingers, a dalmatic with an apparel in middle and a cope; arabesques and foliage above. Padded S-curves on gold border. Embroidery includes "or nué" (for the lower two panels); couching and split stitch predominate. On linen canvas ground.
136 x 24.5 cm (53 9/16 x 9 5/8 in.)
Harry G. Friedman, New York, Gift to Fogg Museum, 1960.
Silk and metallic yarns filé
16th centuryItalian?Textile fibers
16th centuryFlemishResist-dyed silk damask ground detailed with stenciling and painting and with decoration embroidered in dyed silk threads and gilt-paper-wrapped threads
18th-19th centuryJapaneseDark blue silk twill coat; insignia badge embroidered in satin stitch
18th-19th centuryChineseLinen and wool
4th-6th centuryByzantineHeavy blue satin with gold brocade
19th centuryChinese'Kesi' silk tapestry fragment
17th-19th centuryChineseTextile fibers
20th centuryCroatianCotton and wax-covered cotton, twill weave
20th centuryGermanSilk flosses brocaded on red satin
16th-17th centuryOttomanIrregular twill weave in cotton fibers
20th centuryCroatian