first half 19th century
A white damask silk was dyed to a bright orange-red color to create the ground for this luxurious long-sleeved outer wedding robe with designs of cranes and pines. The white tufts of snow-laden pine branches that cover the body and right sleeve of the robe in a diagonal direction (both front and back) were created using the "nuishime shibori" stitch-resist dyeing technique, in which selected areas of fabric were stitched and pulled together before dyeing process, thus preserving those stitched-off areas reserved in white, predetermined shapes. The pine trunks and numerous crane's bodies were created utilizing the "kanoko shibori" tie-dye technique whereby multiple tiny areas of fabric were tied off before dyeing in order to preserve small circular areas of white fabric reserved, the tiny white spots combining to create forms and shapes when viewed from afar. Other elements, such as individual pine needles and cranes were embroidered using green, black, orange, yellow, and gold-paper-wrapped threads. The lower hem is padded.
max. H. 165.1 x W. 119.4 cm (65 x 47 in.)
[Nomura Shojiro, Kyoto, by 1935], sold; to (Louis V. Ledoux Collection, New York (1935-1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1985 to 2013.
Fiber
ItalianWarps: 3 Z spun S plied undyed white wool, some slightly darker; alternate warps slightly depressed. Weft: 1 ply Z spun undyed buff, or dyed red (Qashqai); 2 or 3 yarns per shoot. Pile: 2 S plied Z spun wool. Pile colors: dark indigo blue, blue green, medium blue, yellow, yellow green, white, dark brown/black. Knots: asymmetrical, open to the left. Knots per vertical decimeter: 49. Knots per horizontal decimeter: 48. Both selvedges: rewrapped. Top end: approz 1 cm. blue and white double cloth float weaved followed by double line countered soumak in red and white. Bottom end: stripped.
19th centuryPersianFelt and vinyl
20th centuryAmericanWool pile
20th centuryPersianLinen
JapaneseSilk damask
19th centuryKoreanHandwoven maguey fiber
20th centuryAmericanSilk and silk chenille yarns
17th centuryItalianSilk and cotton
16th-17th centuryOttoman