17th-18th century
In this two-panel folding screen a pair of white herons stands huddled together atop the thick trunk of a snow-laden willow tree. Executed in ink and white pigments on an otherwise unembellished gold ground, one heron bends its neck downward, while the other gazes far into the distance. The painted imagery is concentrated on the screen’s left panel, with only a few willow branches stretching into the visual field of the right panel. The work is unsigned.
painting proper: H. 51.7 x W. 167 cm (20 3/8 x 65 3/4 in.) frame: H. 54.6 x W. 171 cm (21 1/2 x 67 5/16 in.)
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1981 to 2013.
Folded book with small mounted pieces; ink and light color on paper
18th-19th centuryJapanese
Oil on canvas
19th-20th centuryFrenchOne leaf from an album of nine leaves; ink and light colors on paper, with signature reading "Qian Hui An"
19th centuryChinese
Oil on canvas
20th centuryItalianOil on canvas
19th centuryAmericanOil on cradled panel
19th centuryFrenchHanging scroll; ink and light color on silk; with signature reading "Yuan Jiang hua"
18th centuryChinese
Oil on canvas
20th centuryAmericanThird panel from a six-panel folding screen; ink on paper; the painting with signature of the artist reading "Ch'ui-ŭn" ("Drunken Hermit")
17th centuryKoreanOne of twelve album leaves; ink, color and gold on paper
16th-17th centuryJapanese
Oil on canvas
20th centuryAmerican
Oil on canvas
20th centuryFrench