late 18th century
A Buddhist priest's robe known in Japan as a kesa (Sanskrit, kasaya), this rectangular garment is made up of mulitple pieces of the same cloth that together form a unified assemblage of rectangles and squares framed within a border. The fabric is a very dark blue silk with a design of densely packed flowers and vines brocaded in gold. Four square patches made of a contrasting salmon-colored silk decorated with gold designs of phoenixes flying amid clouds appear in the four corners, just inside the robe's rectangular border. Termed "shiten," these four corner patches are said to represent the Buddhist Guardians of the Four Directions (Shitennō).
H. 113.7 x W. 230.2 cm (44 3/4 x 90 5/8 in.)
[Yamanaka and Company, Kyoto, by 1926?], sold; to Louis V. Ledoux Collection, New York (1926?-1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1985 to 2013.
Ramie with vegetable dyes and mineral pigments; stenciled and free-hand paste-resist decoration applied on both sides of fabric
18th-19th centuryJapaneseResist-dyed red damask silk utilizing stitch-resist (nuishime shibori) and tie-dying (kanoko shibori) techniques; selected motifs embroidered with gold-paper-wrapped and polychrome silk threads
18th centuryJapaneseVegetable-dyed, handspun cotton with stenciled paste-resist decoration
18th-19th centuryJapaneseBrocade
18th centuryJapaneseBrocade
18th centuryJapaneseSilk
18th centuryJapanese