late 18th century
A Buddhist priest's robe known in Japan as a kesa (Sanskrit, kasaya), this rectangular garment is made up of mulitple pieces of the same cloth that together form a unified assemblage of rectangles and squares framed within a border. The fabric is a very dark blue silk with a design of densely packed flowers and vines brocaded in gold. Four square patches made of a contrasting salmon-colored silk decorated with gold designs of phoenixes flying amid clouds appear in the four corners, just inside the robe's rectangular border. Termed "shiten," these four corner patches are said to represent the Buddhist Guardians of the Four Directions (Shitennō).
H. 113.7 x W. 230.2 cm (44 3/4 x 90 5/8 in.)
[Yamanaka and Company, Kyoto, by 1926?], sold; to Louis V. Ledoux Collection, New York (1926?-1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1985 to 2013.
Fiber
18th centuryJapaneseMulticolored ikat-dyed silk with patterning in supplementary gold wefts; floral motifs embroidered with polychrome silk threads
18th centuryJapaneseFabric for a Summer kimono; dyed, tie-dyed, and embroidered linen.
18th centuryJapanesePale green-blue silk with cloud motifs painted in gold pigment; additional motifs embroidered in polychrome silk and gold threads
18th centuryJapaneseSilk embroidery on silk
18th centuryJapaneseResist-dyed silk damask ground detailed with stenciling and with decoration embroidered in dyed silk threads and gilt-paper-wrapped threads
18th centuryJapaneseRamie with vegetable dyes and mineral pigments; stenciled and freehand paste-resist decoration applied on both sides of fabric
18th-19th centuryJapanese