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PRAJNAPARAMITA-HRDAYA-SUTRA. PRINTED. | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
PRAJNAPARAMITA-HRDAYA-SUTRA. PRINTED.

PRAJNAPARAMITA-HRDAYA-SUTRA. PRINTED.

ManuscriptsChinese

PRAJNAPARAMITA-HRDAYA-SUTRA. PRINTED.

Classification

Manuscripts

Culture

Chinese

Period

Ming dynasty, 1368-1644

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Folio from an Illustrated Manuscript of a Compendium of Knowledge (Jung), made for Shah Sulayman

Folio from an Illustrated Manuscript of a Compendium of Knowledge (Jung), made for Shah Sulayman

Unknown Artist, c. 1669-1670

Ink, opaque watercolor and gold on paper

17th centuryPersian

Folio 11 from a Manuscript of the Collection of Forty Traditions by Abu Zakariya al-Nawawi

Folio 11 from a Manuscript of the Collection of Forty Traditions by Abu Zakariya al-Nawawi

Unknown Artist, 14th-15th century

Ink, opaque watercolor and gold on paper

14th-15th centuryIslamic

Closing Chapter and Colophon (recto), folio 174 from a Manuscript of Yusuf va Zulaykha by Jami

Closing Chapter and Colophon (recto), folio 174 from a Manuscript of Yusuf va Zulaykha by Jami

Shah Mahmud, 1502-1503

Ink, opaque watercolor and gold on paper

16th centuryPersian

Folio from an Illustrated Manuscript of a Compendium of Knowledge (Jung), made for Shah Sulayman

Folio from an Illustrated Manuscript of a Compendium of Knowledge (Jung), made for Shah Sulayman

Unknown Artist, c. 1669-1670

Ink, opaque watercolor and gold on paper

17th centuryPersian

Manuscript of the Qur'an

Manuscript of the Qur'an

Unknown Artist, 1886

Calligraphy; ink, opaque watercolor and gold on paper

19th centuryOttoman

Text folio with a colophon (text recto, blank verso of folio 133) from a manuscript of Subhat al-abrar by Jami

Text folio with a colophon (text recto, blank verso of folio 133) from a manuscript of Subhat al-abrar by Jami

Unknown Artist, c. 1530-70

Ink, colors, and gold on paper

Folio with the owner’s note, Illuminated sarlawh (blank recto, sarlawh verso of folio 2) from a manuscript of Subhat al-abrar by Jami

Folio with the owner’s note, Illuminated sarlawh (blank recto, sarlawh verso of folio 2) from a manuscript of Subhat al-abrar by Jami

Unknown Artist, c. 1530-70

Ink, colors, and gold on paper

Colophon of the first section; the sarlawh of the second section (colophon recto; sarlawh verso of folio 48), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Colophon of the first section; the sarlawh of the second section (colophon recto; sarlawh verso of folio 48), folio from a manuscript of the Mathnavi Ma‘navi by Maulana Jalal al-Din Rumi

Unknown Artist, 1615

Ink, colors, and gold on paper

17th centuryPersian

A King Performing a Ritual (painting, recto; painting, verso), illustration from a Ramayana series

A King Performing a Ritual (painting, recto; painting, verso), illustration from a Ramayana series

Unknown Artist, 18th-19th century

Opaque watercolor and gold on paper

18th-19th centuryIndian

Dipak Raga (painting, recto), from a Ragamala (Garland of Melodies) Series

Dipak Raga (painting, recto), from a Ragamala (Garland of Melodies) Series

Jai Kisan of Malpura, c. 1756

Ink, opaque watercolor and gold on paper

18th centuryIndian

The Resourceful Lover

The Resourceful Lover

Unknown Artist, mid 18th century

Opaque watercolor and silver on paper; Rajput Style, Mewar School

18th centuryIndian

Utka Nayika: page from a dispersed manuscript of Keshavadas's Rasikapriya(Connoisseur's Delight)

Utka Nayika: page from a dispersed manuscript of Keshavadas's Rasikapriya(Connoisseur's Delight)

Unknown Artist, 19th century

Opaque watercolor and gold on paper

19th centuryIndian