PrintsJapanese19th century

Nichiren in the Snow at Tsukahara on Sado Island (Sashū Tsukahara setchū), from the series Sketches of the Life of the Great Priest (Kōsō goichidai ryakuzu)

Edo period, circa 1830-1835 (Tenpō 1-6)

Artists

Utagawa Kuniyoshi 歌川国芳Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Ichiyūsai Kuniyoshi hitsu"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 24.3 cm x W. 37.7 cm (9 9/16 x 14 13/16 in.)

Related Artworks

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American (Amerikajin), from the series Pictures of Barbarians from Foreign Lands (Bankoku jimbutsu zu), published by Ebiya Rinnosuke

Utagawa Yoshitsuya, Late Edo period, first month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

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Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase)

Katsushika Hokusai 葛飾北斎, Edo period, datable to 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Getchi Rōjin I-itsu hitsu"

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Famous Scenes of Edo in the Four Seasons: Sumida River in Snow

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1843-1847

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

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Poetess Koshikibu

Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper with printed signature reading "Eishi zu"

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Defying a Shower of Bullets, He, Alone, Opened Hyonmu Gate

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

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Woman Holding a Tortoise-shaped Paperweight/ Paperweight (Bunchin), from the series Seven Designs for the Katsushika Circle (Katsushika shichiban tsuzuki), with poems by Bunritsuen _koto and Bunsaien Fudemaru

Yashima Gakutei 八島岳亭, Edo period, circa 1826

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

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Attacking Pyongyang: The Japanese Army Forged through the Enemy Stronghold (Heijō Kōgeki waga gun tekiruio nuku)

Mizuno Toshikata, Meiji period, dated 1894

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Illustration of the Landing and Advance to Weihaiwei

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and colors on paper

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Enjoying the Cool of the Evening and Fireworks at Ryōgoku Bridge (Ryōgoku nōryū ōhanabi), left sheet of an incomplete triptych

Utagawa Hiroshige 歌川広重, c. 1847-1852

Woodblock print; ink and color on paper

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Taira Tadanori, from the series Six Immortal Warrior Poets (Buke rokkasen)

Yashima Gakutei 八島岳亭, Edo period, circa 1823-1827

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper

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TWO HORSES, STYLE OF HOKUSAI

Unknown Artist, 19th century

Ink on paper

19th centuryJapanese

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Three Great Warriors of Shuhan (Guan Yu, Liu Bei, and Zhang Fei) looking at a handscroll, with a poem by Kūmanya Utagaki no Maeda

Katsushika Hokusai 葛飾北斎, Edo period, 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese