PrintsJapanese19th century

Nichiren in the Snow at Tsukahara on Sado Island (Sashū Tsukahara setchū), from the series Sketches of the Life of the Great Priest (Kōsō goichidai ryakuzu)

Edo period, circa 1830-1835 (Tenpō 1-6)

Artists

Utagawa Kuniyoshi 歌川国芳Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Ichiyūsai Kuniyoshi hitsu"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 24.3 cm x W. 37.7 cm (9 9/16 x 14 13/16 in.)

Related Artworks

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Kanbara: Night Snow (Kanbara, yoru no yuki), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-1834 (Tenpō 4-5)

Woodblock print (nishiki-e); ink and color on paper

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Prints

Act Eleven (Jūichidanme), The Storehouse of Loyal Retainers (Kanadehon Chūshingura), A Primer

Katsushika Hokusai 葛飾北斎, about 1806 (Bunka 3)

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Triptych: Hideyoshi and his Five Wives Viewing the Cherry Blossoms at Higashiyama

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1803-1804

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper ith printed signatures reading "Utamaro hitsu"

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Bun'ya no Yasuhide from the series Modern Children as the Six Poetic Immortals (Tōsei kodomo rokkasen)

Kitagawa Utamaro 喜多川歌麿, c. 1804 (Bunka 1)

Woodblock print (nishiki-e); ink and color on paper

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Enoshima in Sagami Province (Sōshū Enoshima no zu)

Utagawa Kuniyoshi 歌川国芳, c. 1847-1852

Woodblock print (nishiki-e); ink and color on paper

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Actor Nakamura Utaemon III as Monkey Trainer Yojirō, from the series Great Hit Plays (Ōatari kyōgen no uchi)

Utagawa Kunisada 歌川国貞, circa 1814 (Bunka 11)

Woodblock print (nishiki-e); ink, color and mica on paper

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America (Amerikakoku), published by Shimizuya Naojirō

Utagawa Yoshitomi, Late Edo period, sixth month of 1867

Left sheet from a Yokohama woodblock-printed "ōban" triptych; ink and color on paper, with printed signature reading "Yoshitora ga"

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Prints

Aoi Slope, Outside Toranomon Gate (Toranomon-soto Aoizaka), Number 113 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (11th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Shinowara of the Tsuruya, kamuro Wakaba and Chieda, from the series Courtesans as the Seven Komachi (Yūkun Nana Komachi)

Kitagawa Utamaro 喜多川歌麿, c. 1805 (Bunka 2)

Woodblock print (nishiki-e); ink and color on paper

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Russian Horseman (Orōshia)

Utagawa Yoshitomi, Late Edo period, tenth month of 1860

Yokohama woodblock print in ōban format; ink and color on paper

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Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)

Totoya Hokkei 魚屋北渓, Edo period, 1823

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

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Prints

Appearance of Hōeizan (Hōeizan shutsugen): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese