PrintsJapanese18th century

Parody with Young Girl as a Daoist Immortal Handaka Sonja Conjuring a Dragon from a Bowl

Edo period, 1765 (Meiwa 2)

Artists

Suzuki Harunobu 鈴木春信Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "chūban" format; ink, color and gauffrage ("blind" printing) on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

18th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 28.8 cm x W. 21.5 cm (11 5/16 x 8 7/16 in.)

Related Artworks

Prints

Parody of the Nō Play Hakurakuten (Two Figures Standing in Boats: Chinese Scholar Holding an Ink Orchid Painting and Japanese Girl Holding a Harunobu Bijin Pillar Print Scroll)

Suzuki Harunobu 鈴木春信, Edo period, circa 1769-1770 (Meiwa 6-7)

Ukiyo-e woodblock print in "chūban" format; ink and color on paper, with printed signature reading "Harunobu ga" (on woman's scroll)

18th centuryJapanese

Prints

First Twelve Paragons, from the Twenty-Four Paragons of Filial Piety (Nijūshikō)

Kondō Kiyoharu, Mid Edo period, 1704-1720

Hand-colored ukiyo-e woodblock print: ink and color on paper

18th centuryJapanese

Prints

Act Three from the series Treasury of Loyal Retainers (Chūshingura: San danme)

Katsukawa Shunshō 勝川春章, Edo period, circa 1775-1792

Ukiyo-e woodblock print in "chūban" format; ink and color on paper, with printed signature reading "Shunshō ga"

18th centuryJapanese

Prints

Actor Arashi Wakano as Aburaya Osome, from the series A Comparison of Three Beauties (Musume Sanpukutsui)

Torii Kiyomasu, Edo period, early 18th century

Hand-colored ukiyo-e woodblock print in "hosoban" format; ink, color and metal filings on paper

18th centuryJapanese

Prints

Parody of the Letter-Reading Scene in Act Seven from the Treasury of Loyal Retainers (Chūshingura: Shichi danme) with a Cat

Isoda Koryūsai 磯田湖龍齋, Edo period, late 18th century

Ukiyo-e woodblock print in "chūban" format; ink and color on paper, with printed signature reading "Koryūsai ga"

18th centuryJapanese

Prints

Kiyomizu Temple (Shimizu), from the series Seven Komachi in Fashionable Disguise (Fūryū yatsushi nana Komachi / Fūryū nana Komachi yatsushi)

Suzuki Harunobu 鈴木春信, 1766-1767 (Meiwa 3-4)

Woodblock print (nishiki-e); ink and color on paper

18th centuryJapanese

Prints

Mother and Son with Sannō Festival Toy Cart Representing Yoshitsune and Benkei Fighting on Gojo Bridge

Okumura Masanobu, Edo period, circa 1750

Ukiyo-e woodblock print ("benizuri-e") in large "ōban" format: ink and color on paper, with printed signature reading "Hōgetsudō Okumura Bunkaku Masanobu ga"

18th centuryJapanese

Prints

The Famous Thirty-six Poetesses Illustrated (Onna Sanjūrokkasen ezukushi)

Chōbunsai Eishi 鳥文斎栄之, Late Edo period, 1798

Folded book; ink, color and mica on paper

18th centuryJapanese

Prints

Tiger and Bamboo

Katsukawa Shunshō 勝川春章, Edo period, mid-late 18th century

Ukiyo-e woodblock print in "hashira-e" format; ink on paper, with printed signature reading "Shunshō ga"

18th centuryJapanese

Prints

Yakusha jigao mitate [?] [?] Chūshingura

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

18th-19th centuryJapanese

Prints

The Pine of a Thousand Ages (Ehon chiyo no matsu)

Suzuki Harunobu 鈴木春信, Edo period, published 1767

Woodblock-printed book; ink on paper

18th centuryJapanese

Prints

Two Women in Street Attire, from the series Twelve Costumes for Women (Fūzoku jūnitsue)

Torii Kiyonaga, Edo period, circa 1783

Ukiyo-e woodblock print in "hashira-e" format; ink and color on paper, with (partially obscured) printed signature reading "Kiyonaga ga"

18th centuryJapanese