PrintsJapanese19th century

ASAKUSA TEMPLE

19th century

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

LANDSCAPE

Utagawa Hiroshige 歌川広重, 19th century

19th centuryJapanese

Prints

Chinese Warrior Ma Chao (Bachō), Number Five (Sono go) from the series Five Tiger Generals (Go koshōgun)

Yashima Gakutei 八島岳亭, Edo period, 1818 (Year of the Tiger)

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment(?) on paper, with printed signature reading "Gakutei Harunobu"

19th centuryJapanese

Prints

Stream Crossing at Night

Utagawa Toyokuni 歌川豊国, 18th-19th century

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

18th-19th centuryJapanese

Prints

Act Eleven (Jūichi danme) from the series The Storehouse of Loyal Retainers (Chūshingura)

Utagawa Hiroshige 歌川広重, 1843-1845 (Tenpō 14 - Kōka 2)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Triptych: Actors

Utagawa Kunisada 歌川国貞, 19th century

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

View of the Interior of the Gankirō Tea House in Yokohama (Yokohama Gankirō no zu), published by Daikokuya Kinnosuke

Utagawa Hiroshige II, Late Edo period, fourth month of 1860

Left sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Procession of Women Carrying Palanquin

Utagawa Toyohiro 歌川豊広, 19th century

Third of eight(?) ukiyo-e book pages from a continuous woodblock-printed composition; ink and color on paper

19th centuryJapanese

Prints

Fujieda, Fifty-three Stations of the Tōkaidō (Fujieda, Tōkaidō gojūsan tsugi), detached page from The Fifty-Three Stations of the Tōkaidō: A Picture Book of Highway Bells (Tōkaidō gojūsan tsugi: Ehon ekiro no suzu)

Katsushika Hokusai 葛飾北斎, c. 1808-1813

Detached page from a woodblock-printed book; ink and color on paper

19th centuryJapanese

Prints

French Woman and Chinese Servant, published by Izumiya Ichibei

Utagawa Yoshikazu, Late Edo period, second month of 1862

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Filial Son in Musashi (Musashi no kōshi: Shasekishū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Chiyodaan Matsutsuru and Kafūtei _ _

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Man Washing a Horse's Hoof/ The Horse-Presentation Ceremony (Aouma no sechie), Number Two from the series Three (Sanban no ni), with poems by Numahoko Shizuku, Ono no Yamazumi, Niji no Hashinari, Suwari Hōshi and Hananoya

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Autumn Moon at Ishiyama Temple (Ishiyama shūgetsu), from the series Eight Views of Ōmi (Ōmi hakkei no uchi)

Utagawa Hiroshige 歌川広重, 19th century

19th centuryJapanese