FAMOUS VIEWS OF YEDO, &quot;KINRIUSAN NO DZU&quot;

FAMOUS VIEWS OF YEDO, "KINRIUSAN NO DZU"

Ink on paper

The Fall of Fenghuangcheng: Putting the Enemy to Rout (Hōōjō kanraku tekihei kaisō zu)

Mizuno Toshikata, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

Gurnard (Kanagashira), Right-Eye Flounder (Konoa-garei) and Bamboo Grass (Sasa), from the series A Shoal of Fishes (Uo-zukushi)

Ukiyo-e woodblock print; ink and color on paper

Girl Holding Battledore and Shuttlecock and Kneeling Woman by Buckets/ Yamakawa Dance (Yamakawa odori), from the series Three Dances Upclose (Sanyō (?) jin), with poems by Kahontei (Hanamoto?) Nemaru and Naniwatei Soyokaze

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "kokonotsu-giri ban" format; Ink, color and metallic pigment on paper

THE FIFTY-THREE STATIONS OF THE TOKAIDO, "MITSUKE TENRYU-GAWA NO DZU"

Ink on paper

Dragonfly and Morning Glory

Keiri, Late Edo period, dated 1840

Ink

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

Tsukioka Yoshitoshi 月岡芳年, 1888

Woodblock print (nishiki-e); ink and color on paper

Court lady watching cock fight

Totoya Hokkei 魚屋北渓

Woodblock print (surimono); ink, color, and metallic pigments on paper

Two Turtles and Poem Slip with Plum Blossoms

Totoya Hokkei 魚屋北渓, 19th century

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

Persimmons and Japanese White-eye

Woodblock print; ink and color on paper