PrintsJapanese19th century

Yanagiya Tea House Crossing the Sumida River at Hashiba

19th century

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Pheasants and Peach Blossoms, from the series Seven Bird-and-Flower Prints for the Fuyōren of Kanuma in Shimotsuke Province (Yamagawa Shimotsuke Kanuma Fuyō-ren kachō shichi-ban tsuzuki no uchi), with poems by Senshunan and associates

Kubo Shunman 窪俊満, Edo period, circa 1810

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

19th centuryJapanese

Prints

Contemporary Famous Happenings (Kinsei kisekikō) in 5 volumes, with designs by Kita Busei (1776-1856)

Kitao Masanobu 北尾政演, Late Edo period, dated to the 1st year of the Bunka Era (1804)

Set of 5 ukiyo-e woodblock-printed books; ink and color on paper

19th centuryJapanese

Prints

Nakamura Theater

Utagawa Kunisada 歌川国貞, Late Edo period, circa 1811-1814

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Ocha no mizu no dzo

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Courtesan and Customer Behind Shōji

Toyohara Kunichika, Meiji period, circa 1876-1886

Unmatted ukiyo-e woodblock print in ōban format; ink and colors on paper, with p

19th centuryJapanese

Prints

Children's Wrestling Match with Hotei as Umpire, with poems by Ganzentei Unabara, Hōshōtei Mimiyori, Ki no Manao, Sanyodō and Kyōkadō (a/k/a Yomo no Magao)

Katsushika Hokusai 葛飾北斎, Edo period,

Fragment of an ukiyo-e woodblock printed "surimono" in "nagaban or "yokonagaban" format; ink, color and metallic pigment on paper with printed signature reading "Gakyōjin Hokusai sha"

19th centuryJapanese

Prints

View of the Interior of the Gankirō Tea House in Yokohama (Yokohama Gankirō no zu), published by Daikokuya Kinnosuke

Utagawa Hiroshige II, Late Edo period, fourth month of 1860

Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

The Pure Red Shell (Masuho-gai), from the series A Matching Game with the Genroku Poem Shells (Genroku kasen kai awase)

Katsushika Hokusai 葛飾北斎, 1821

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Asahina Trying to Separate Rice Cakes

Utagawa Toyohiro 歌川豊広, Edo period, 1827

Ukiyo-e woodblock-printed surimono in "nagaban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

No. 12, from the series Primary Education: Manners for Women, Explained in Pictures (Shōgaku joreishiki zukai)

Adachi Ginkō 安達吟光, c. 1882

Woodblock print (nishiki-e); ink, color and mica on paper

19th centuryJapanese

Prints

Fukurokuju (Fukurokuju): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Yui, from the series Fifty-three Pairings for the Tōkaidō Road (Tōkaidō gojūsan tsui)

Utagawa Kuniyoshi 歌川国芳, circa 1845-1846 (Kōka 2-3)

(Fragmentary) woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese