PrintsJapanese19th century

Nihonbashi, from the series Thirty-six Views of the Eastern Capital (Tōto sanjūrokkei)

Late Edo period, 1861

Artists

Utagawa Hiroshige IIArtist

Classification

Prints

Medium

Woodblock print; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Fuji from the Sumida River (Sumida no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Illustrated Book on Annual Events in the Gay Quarters (Seirō ehon nenjū gyōji) Volume One

Kitagawa Utamaro 喜多川歌麿, Late Edo period, published in 1804

Volume One of an ukiyo-e woodblock-printed book in two [blue-and-white-covered] volumes; ink and color on paper

19th centuryJapanese

Prints

Actors Ichikawa Danjūrō 7th (center), Iwai Kumesaburo 2nd and Segawa Kikunojō 5th

Utagawa Kunisada 歌川国貞, Edo period, 1819 (Bunsei 2)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Actor Matsumoto Yonesaburō as a Woman

Utagawa Kunimasa 歌川国政, Late Edo period, early 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Kunimasa ga"

19th centuryJapanese

Prints

Monkey Bridge, Kai Province (Kōyō Saruhashi no zu)

Utagawa Hiroshige 歌川広重, Edo period, circa 1800-1850

Ukiyo-e woodblock bring in double vertical "oban" format, ink and colors on paper with printed signature reading "Hiroshige ga"

19th centuryJapanese

Prints

General Hu Zhuoyan (Ko Enshaku) Holding a Chinese Zither, fifth from the series Five Intrepid Generals of the Tale of the Water Margins (Suikoden go koshōgun), with poems by Funenoya Tsunabito and Nenneisai Inaba

Yashima Gakutei 八島岳亭, Edo period, circa 1828

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Port of London England (Igirisu Rondon no kaikō), from the series Complete Enumeration of Scenic Places in Foreign Nations (Bankoku meisho zukushi no uchi)

Utagawa Yoshitora 歌川芳虎, 1862 (Bunkyū 2)

Woodblock print triptych (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

SPARROW AND KIKYO FLOWERS

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Women at the Beach of Futami-ga-ura

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1803-1804

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and colors on paper with printed signature reading "Utamaro hitsu"

19th centuryJapanese

Prints

One Hundred Designs by Ogata Kōrin (Kōrin hyakuzu), Vol. 2

Sakai Hōitsu 酒井抱一, Meiji period, dated 1897

One of two books; ink on paper

19th centuryJapanese

Prints

Two of the Six Immortal Poets

Keisai Eisen 渓斎英泉, 19th century

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Numazu: Twilight (Numazu, tasogare zu), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-34

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese