Center panel from an ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"

19th centuryJapanese

Prints

SHAVEN PILGRIM (MITATE ŌTSU-E)

Shigenobu, 19th century

Ukiyo-e woodblock printed surimono in "shikishi" format; ink and color on paper, with printed signature reading "Rinsai Shigenobu"

19th centuryJapanese

Prints

Geese over Water, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

19th centuryJapanese

Prints

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Lecture at the Meiji Meeting Hall

Adachi Ginkō 安達吟光, c. 1880

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Dawn at Isawa in Kai Province (Kōshū Isawa no akatsuki), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1830-31

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

THIRTY-SIX VIEWS OF FUJI, "MUSASHI HOMMOKU NO HANA "

Utagawa Hiroshige 歌川広重, Edo period, 1858

Ink on paper

19th centuryJapanese

Prints

Improved Azuma Bridge

Inoue Yasuji 井上安治, Early Meiji period, late 19th century

Center sheet from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese