PrintsJapanese19th century

Station 50 -- Spring Rain at Tsuchiyama (Tsuchiyama haru no ame), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan-tsugi no uchi)

19th century

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

H. 24.2 x W. 36.3 cm (9 1/2 x 14 5/16 in.)

Related Artworks

Prints

Vessels Departing from California, America (Amerikashū Karuharunoyakō shuppan no zu)

Utagawa Sadahide, Late Edo period, third month of 1862

Right sheet from a Yokohama woodblock-printed "ōban" triptych; ink and color on paper, with printed signature reading "Gountei Sadahide ga"

19th centuryJapanese

Prints

Chinese Junk

Unknown Artist, Late Edo period, circa 1840

Nagasaki woodblock print in aiban format; ink and color on paper

19th centuryJapanese

Prints

Illustrated Satirical Poems About Famous Scenic Views in Edo (Kyōka Edo meisho zue), Vol. 3

Utagawa Hiroshige 歌川広重, Late Edo period, dated 1856 (Ansei 3, 5th month)

Woodblock-printed book; ink on paper

19th centuryJapanese

Prints

Carrying Lunch to Rice Planters

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Recut ukiyo-e woodblock-printed "shikishi-ban" format copy of a haikai surimono; ink and color on paper

19th centuryJapanese

Prints

Procession of Women Carrying Palanquin

Utagawa Toyohiro 歌川豊広, 19th century

Third of eight(?) ukiyo-e book pages from a continuous woodblock-printed composition; ink and color on paper

19th centuryJapanese

Prints

Ducks and Reeds

Utagawa Hiroshige 歌川広重, c. 1830-1844

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Fuji Seen in the Distance from the Senju Pleasure Quarter (Senju kagai yori chōbō no Fuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading "zen Hokusai Iitsu hitsu"

19th centuryJapanese

Prints

Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata)

Yōshū (Hashimoto) Chikanobu 楊洲周延, Meiji period, datable to September 1, 1900

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Defying a Shower of Bullets, He, Alone, Opened Hyonmu Gate

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Porcelain Cups

Shibata Zeshin 柴田是真, 19th century

Woodblock-printed surimono; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Emperor Nintoku (Nintoku Tennō: Nihongi), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Isonoya Naonari

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Attacking Pyongyang: The Japanese Army Forged through the Enemy Stronghold (Heijō Kōgeki waga gun tekiruio nuku)

Mizuno Toshikata, Meiji period, dated 1894

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese