PrintsJapanese19th century

Bag and Hammer

Late Edo period, circa early to mid 19th century

Artists

Kikugawa Eizan 菊川英山Artist

Classification

Prints

Medium

Ukiyo-e woodblock printed surimono; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi)

Tsukioka Yoshitoshi 月岡芳年, Meiji period, datable to 1884

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Shinowara of the Tsuruya, kamuro Wakaba and Chieda, from the series Courtesans as the Seven Komachi (Yūkun Nana Komachi)

Kitagawa Utamaro 喜多川歌麿, c. 1805 (Bunka 2)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Great Victory of Our Forces at the Battle of the Yellow Sea, Fourth Illustration

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e) triptych; ink and colors on paper

19th centuryJapanese

Prints

Courtesan as Ōkyō (Wang Qiao), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

Yashima Gakutei 八島岳亭, Edo period, circa 1824

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

19th centuryJapanese

Prints

Man with a Lantern, from the series A Set of Seven (Nanaban no uchi)

Katsushika Hokutai, 19th century

Woodblock print (ukiyo-e, surimono); ink and color on paper

19th centuryJapanese

Prints

Horikiri Iris Garden (Horikiri no hanashōbu), Number 64 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (5th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Courtesan Arranging Flowers, with poems by Ryūsuitei Sodezumi and Senryūtei Karamaru

Yashima Gakutei 八島岳亭, Edo period, circa 1818-1830

Ukiyo-e woodblock-printed "surimono" in "fan" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

The Minister Tōru (Tōru daijin), from the series A True Mirror of Chinese and Japanese Poetry (Shika shashin kyō)

Katsushika Hokusai 葛飾北斎, 19th century

Ukiyo-e woodblock print in "?" format; ink and color on paper

19th centuryJapanese

Prints

Azuma Shrine (Azuma no mon) Print from Key Block

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print from key block ("nagasurimono" format); ink on thin paper

19th centuryJapanese

Prints

Nitta Yoshisada, from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems

Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Foreigners Enjoying Children's Kabuki at the Gankirō Tea House (Yokohama Gankirō kodomo te odori no zu), published by Maruya Jimpachi

Utagawa Yoshikazu, Late Edo period, first month of 1861

Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese