PrintsJapanese19th century

TORA AND JURO

Edo period, circa early 19th century

Artists

Utagawa Kunisada 歌川国貞Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.6 cm x W. 18.6 cm (8 1/8 x 7 5/16 in.)

Related Artworks

Prints

Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)

Totoya Hokkei 魚屋北渓, Edo period, 1823

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Two Warriors About to Fight

Utagawa Toyokuni 歌川豊国, 19th century

Ukiyo-e woodblock-printed "surimono"; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Shrine Girl (Miko) Wearing High Geta and Holding Robe Over Her Head representing Humanity (Jin), from the series of Five Virtues for the Katsushika Group (Katsushika goban), with poems by Shunhan, Shogan and Shofudai

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Evening Scene at Kandagawa

Kobayashi Kiyochika 小林清親, 1881 (Meiji 14)

Woodblock print (nishiki-e): ink and color on paper

19th centuryJapanese

Prints

One Hundred Designs by Ogata Kōrin (Kōrin hyakuzu), Vol. 2

Sakai Hōitsu 酒井抱一, Meiji period, dated 1897

One of two books; ink on paper

19th centuryJapanese

Prints

Two Women Standing between Trees/ Shōdoshima Island in Sanuki Province, with poems by Jū Tokubi and Futabatei Shigefumi

Katsushika Hokusai 葛飾北斎, Edo period, circa 1804

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Keinen's Album of Birds and Flowers (Keinen kachō gafu)

Imao Keinen, 1892

Woodblock-printed book (4 volumes); ink and color on paper

19th centuryJapanese

Prints

Triptych: First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

19th centuryJapanese

Prints

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

The Daughter of Tami no Atai Uji, from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

FOUR LADIES AT SHORE

Chōbunsai Eishi 鳥文斎栄之, 19th century

19th centuryJapanese

Prints

The Fall of Fenghuangcheng: Putting the Enemy to Rout (Hōōjō kanraku tekihei kaisō zu)

Mizuno Toshikata, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese