PrintsJapanese

Hanging Scroll, Otafuku and Jurojin

Artists

SoranArtist

Classification

Prints

Medium

Ukiyo-e woodblock printed "surimono"; ink, color, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 21.5 x W. 19 cm (8 7/16 x 7 1/2 in.)

Related Artworks

Prints

Love that Meets Each Night (Yo-goto ni au koi) from the series Anthology of Poems: The Love Section (Kasen koi no bu)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1793-1794

Ukiyo-e woodblock print in "ōban" format; ink, color and mica on paper, with printed signature reading "Utamaro hitsu"

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Actor Arashi Wakano as Aburaya Osome, from the series A Comparison of Three Beauties (Musume Sanpukutsui)

Torii Kiyomasu, Edo period, early 18th century

Hand-colored ukiyo-e woodblock print in "hosoban" format; ink, color and metal filings on paper

18th centuryJapanese

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53 Stations of the Tokaido

Utagawa Hiroshige 歌川広重

Japanese

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WOMAN OR MAN CARRYING UMBRELLA

Utagawa Toyokuni 歌川豊国

Ukiyo-e woodblock print; ink and color on paper

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Poet Fujiwara no Atsutada (906-943) from page 4B of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition

Hon'ami Kōetsu 本阿弥光悦, Momoyama period, published circa 1610

Page 4B of a thread-bound woodblock-printed book with paper cover; ink on paper

17th centuryJapanese

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ōmori (ōmori): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

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Standing Man and Kneeling Woman

Kitagawa Utamaro 喜多川歌麿, 18th-19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

18th-19th centuryJapanese

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Mount Fuji, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

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Tobosaku Stealing a Peach of Immortality, from the series Five Pictures of Symbols of Longevity (Kotobuki goban no uchi)

Yanagawa Shigenobu, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color, metallic pigment and embossing on paper, with printed seal reading "Shigenobu"

19th centuryJapanese

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Battle of Okehazama in Bishū, Owari Province (Bishū Okehazama kassen)

Utagawa Toyonobu, Meiji period, dated 1883

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper (with printed signature on leftmost print from the same triptych reading "Ichiyōsai Toyonobu ga")

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Vessels Departing from California, America (Amerikashū Karuharunoyakō shuppan no zu)

Utagawa Sadahide, Late Edo period, third month of 1862

Center sheet from a Yokohama woodblock-printed "ōban" triptych; ink and color on paper, with printed signature reading "Gountei Sadahide ga"

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ITSUKUSHIMA MEISHO ZUE, Vol. 9

Unknown Artist

Ink on paper

Japanese