PrintsJapanese19th century

Tada no Mitsunaka, from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Edo period, circa 1821

Artists

Yashima Gakutei 八島岳亭Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.7 cm x W. 18.5 cm (8 1/8 x 7 5/16 in.)

Related Artworks

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Imperial Fleet Firing a Cannon Near Haiyang Island (Kaiyōtō fukin teikoku gunkan happō no zu)

Mizuno Toshikata, Meiji period, 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Fuji with a Rocket (Rōen [noroshi] no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

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Sometsukige, from the series Colors Representing Famous Horses

Yanagawa Shigenobu II, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color and metallic pigment on paper, with printed signature reading "Ni-dai Shigenobu"

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Triptych: First Division Approaching Fengtian (Daiichigun Hōten-fu shingeki no zu)

Ogata Gekkō, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

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Kamakura Udaijin (Minamoto no Sanetomo), from the series Six Immortal Warrior Poets (Buke rokkasen)

Yashima Gakutei 八島岳亭, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper

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Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), Number 90 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (9th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Triptych: Demonic Revelry

Gyokuen, Meiji period, late 19th century

Woodblock-printed ōban triptych; ink and color on paper

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Old Man Conversing with Two Sparrows: Tongue-Cut Sparrow (Shita-kiri suzume), from the series Folktales of Wisdom, Benevolence and Courage (Mukashi banashi chijinyū)

Kikugawa Eizan 菊川英山, Edo period, mid 19th century

Ukiyo-e woodblock-printed surimono; ink and color on paper

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Empress Shōshi (Jōtōmonin), from the series A Series for a Gathering of the Elders (Shōshikai bantsuzuki)

Totoya Hokkei 魚屋北渓, c. 1821-1822 (Bunsei 4–5)

Woodblock print (surimono); ink, color, and metallic pigments on paper

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Triptych: Village of Cherry Blossoms, from the series Esteemed Towns and Villages (Tōsei furaku tsū)

Miyagawa Shuntei, Meiji period, 1897

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Azuma Shrine (Azuma no mon) Print from Key Block

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print from key block ("nagasurimono" format); ink on thin paper

19th centuryJapanese

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Shōno: Driving Rain (Shōno hakuu), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-1836

Woodblock print (nishiki-e); ink and color on paper

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