PrintsJapanese19th century

Court Lady Viewing the Moon/ from the series Go Kasen, with poems by Gamōtei Fudemochi, Seijōkoku(?) Kagehiro and Senbatei Teodori

Edo period, circa 1820s

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Woodblock print (surimono); ink, color and metallic pigment on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

shikishiban: H. 21.1 × W. 18.8 cm (8 5/16 × 7 3/8 in.)

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View of the Nakanochō Niwaka Festival from the corner of Inamoto-rō in the New Yoshiwara (Shinyoshiwara kakugai Inamoto-rō yori Nakanochō Niwaka ichiran no zu)

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Woman Holding a Kite with the Character "Dragon"

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Tōeizan Temple at Ueno (Ueno Tōeizan), from the series Famous Places in Edo (Edo meisho)

Utagawa Hiroshige 歌川広重, c. 1840-42

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Minogame Turtle and Seiōbō, from an untitled series depicting folding screens for the Hisakataya Poetry Club

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Procession of Foreign Officials Resting by River, with New Year's Greetings from Tokiwazu and Iwasawa Nagauta Troops

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Station 17 -- Satta Pass, Yui (Yui, Satta-mine), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan-tsugi no uchi)

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Hokusai manga (Hokusai Sketchbooks), vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1814-1878

Woodblock-printed book; ink and light color on paper

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Woodblock print in "ōban" format; ink and color on paper

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Li Qi (J: Riki)/ Metal (Kane), from the series Five Elements of the Tale of the Water Margins (Suiko gogyō), with poems by Seiyōkan Umeyo (Baise) and Kagendō Tsugiho

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

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TOKAIDO GOJU-SAN-TSUGI

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Ink on paper

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Mono Iwa no Hana, from the series Comparing Three Flowers to the Three Nikko Monkeys

Yanagawa Shigenobu 柳川重信, 19th century

Ukiyo-e woodblock-printed surimono in "shikishi" format; ink, color and metallic pigment on paper, with printed signature reading "Yanagawa Shigenobu"

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Imperial Fleet Firing a Cannon Near Haiyang Island (Kaiyōtō fukin teikoku gunkan happō no zu)

Mizuno Toshikata, Meiji period, 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

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