PrintsJapanese19th century

Ōe no Takachika (Chomonjū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Utsunoya Makikata

Edo period, circa 1821-1822

Artists

Yashima Gakutei 八島岳亭Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.9 cm x W. 18.0 cm (8 1/4 x 7 1/16 in.)

Related Artworks

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Travelers Crossing River/ Akiba, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

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Yura no Suke at the Tea House, Ichiriki/ Act 7 (Nana dan me, Okeya), from the series The Treasury of Loyal Retainers (Kanadehon chūshingura)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock print in "chūban" format; Ink and color on paper

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Li Qi (J: Riki)/ Metal (Kane), from the series Five Elements of the Tale of the Water Margins (Suiko gogyō), with poems by Seiyōkan Umeyo (Baise) and Kagendō Tsugiho

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

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Dragonfly and Morning Glory

Keiri, Late Edo period, dated 1840

Ink

19th centuryJapanese

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Yamato, from the series Comparisons of Tales (Monogatari awase)

Manjirô Hokuga, 19th century

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Contemporary Famous Happenings (Kinsei kisekikō), Vol. 2, with designs by Kita Busei (1776-1856)

Kitao Masanobu 北尾政演, Late Edo period, dated 1804 (1st Year of the Bunka Era)

Second of a set of 5 ukiyo-e woodblock-printed books; ink and color on paper

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Finding Moronao in the Storage/ Act 11 (Jūichi dan me), from the series The Treasury of Loyal Retainers (Kanadehon chūshingura)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock print in "chūban" format; Ink and color on paper

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Rokusonnō Tsunemoto (Minamoto no Tsunemoto), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

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Picture Book of Modern Figures of Fashion (Ehon imayō sugata), vol. 2

Utagawa Toyokuni 歌川豊国, 1802

Woodblock-printed book; ink and color on paper

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Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 3; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei, 19th century

Woodblock-printed, thread-bound volume (third of a set of three); ink and colors on paper

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Three Women Tagging Cranes with Poetry Slips (Tanzaku)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

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Part of the Same (Sono ni) [Appearance of Hōeizan (Hōeizan shutsugen)]: Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

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