CHINESE SAGE GIVING PEACHED TO MONKEYS

Yoshida Hiroshi, Shōwa period, dated 1925

Grand Canyon

Woodblock print; ink and color on paper

Yoshida Tōshi 吉田遠志, Shōwa period, dated 1957

Misty Dance

Woodblock print; ink and color on paper

Fukuchi Gen'ichirō, from the series Instructive Models of Lofty Ambition (Kyōdō risshi motoi)

Kobayashi Kiyochika 小林清親, 1885 (Meiji 18)

Woodblock print (nishiki-e); ink and color on paper

Azechi Umetarō, Shōwa period, dated 1957

Mountaineer

Woodblock print; ink and color on paper with signature reading "U. AZECHI"

Yura no Suke at the Tea House, Ichiriki/ Act 7 (Nana dan me), from the series The Treasury of Loyal Retainers (Kanadenon chūshingura)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock print in "chūban" format; Ink and color on paper

Sekino Jun'ichirō 関野準一郎, Shōwa period, dated 1954

Calmness

Woodblock print; ink and color on paper

Actor Nakamura Matsue as the Spirit of the Mandarin Duck (Oshidori no seirei)

Torii Kiyomitsu 鳥居清満, Edo period, circa 1760-1764

Ukiyo-e woodblock print in "hosoban" format; ink and color on paper

18th centuryJapanese

Ikaiei fukin Tōshū-fu kō[?] gekisen no zu

Utagawa Kokunimasa, Meiji period, dated 1894

Left panel from a woodblock-printed "ōban" triptych; ink and color on paper

Tsuchiya Rakuzan, 20th century

Branch with Berries

Woodblock print; ink, color and mica on paper

ōmiya, Station 5 from the series "Sixty-Nine Stations of the Kisokaidō" (Kisokaidō rokujūkyūtsugi no uchi)

Keisai Eisen 渓斎英泉, Edo period, circa late 1830s

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

Illustrated Don Quixote

Serizawa Keisuke, 1936

Thread-bound book with lacquer cover; illustrations stenciled in black and hand-colored; indigo-dyed cloth-bound slip case (chitsu)