PrintsJapanese19th century

One Hundred Beauties of the Yoshiwara Poems by the Gokawa Murasaki Club (Gokawa Murasaki ren hyaku ban no uchi), with poems by Yusuiro Kawafune and an associate

Edo period, circa 1825-1830

Artists

Utagawa Kunisada 歌川国貞Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper, with printed signature reading "Motomeni ōji Kunisada ga"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 20.8 cm x W. 28.0 cm (8 3/16 x 11 in.)

Related Artworks

Prints

Fuji under a Sluice (Kakehi no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

View of the Amusements of the Foreigners in Yokohama, Bushu (Bushu Yokohama gaikokujin yūkyō no zu), published by Yamadaya Shōjirō

Utagawa Yoshitora 歌川芳虎, Late Edo period, first month of 1861

Left sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Nihonbashi: Morning Scene (Nihonbashi, asa no kei), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-34

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Enjoying the Evening Cool at Ryōgoku Bridge in Edo: A Great Display of Fireworks

Utagawa Kunitora 歌川国虎, c. 1820s

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

At the Foot of Fuji (Fuji no fumoto): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Ono no Komachi Admiring the Moon, with poem by Shinsuitei Bagi

Utagawa Kunisada 歌川国貞, Edo period, circa 1826-1834 (late Bunsei-early Tempō era)

Panel from an ukiyo-e woodblock-printed "shikishi-ban" surimono-format triptych; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Ox, from the series A Collection of Thirty-Six Birds and Animals (Sanjūroku tori zukushi)

Totoya Hokkei 魚屋北渓, Edo period, circa 1825

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink, color and metallic pigment on paper with printed signature reading "Hokkei"

19th centuryJapanese

Prints

Attack at the Site of the Hundred-Foot Cliff

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Portrait of Taira no Shigemori, from the series One Hundred Famous Courageous Men (Meiko hyakuyuden)

Utagawa Kuniyoshi 歌川国芳, 19th century

Ukiyo-e woodblock print in "oban" format; ink and color on paper

19th centuryJapanese

Prints

WHITE RAIN ON NIPPON BRIDGE, from the series Famous Places of the Eastern Capital (Tōto meisho)

Utagawa Hiroshige 歌川広重, 19th century

Ink and color on paper

19th centuryJapanese

Prints

Carp in Rapids

Ryūryūkyo Shinsai 柳々居辰斎, Edo period, circa early 19th century

Ukiyo-e woodblock printed "surimono"; ink, light color and metallic pigment on paper with "gaufrage" (embossing) and printed signature reading "Shinsai"

Ukiyo-e woodblock-printed "surimono"; ink and color on paper

19th centuryJapanese