PrintsJapanese

PROTECTIVE CHARMS FOR CHILDREN

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Shuten-dōji at Mount Ōe (Ōeyama Shuten-dōji)

Utagawa Yoshitsuya, 1858 (Ansei 5), 10th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Circus Scene with Changeable Central Acts

Utagawa Masanobu, Early Meiji period, late 19th century

Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Doctor in Harlem

Sekino Jun'ichirō 関野準一郎, Shōwa period, 1960

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Elegant Sites of the Capital at a Glance (Teito gakei ichiran), 2nd of 4 Volumes

Kawamura Bunpō 河村文鳳, Late Edo period, 1809-1816

Woodblock printed book; ink and light color on paper

19th centuryJapanese

Prints

Foreign Goods in Osaka (Osaka hitta karamono) from the series The Three Capitals (Santo no uchi)

Totoya Hokkei 魚屋北渓, Edo period, circa early Bunsei Era (1818-1830)

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink, color and metallic pigment on paper with printed signature reading "Hokkei ga"

19th centuryJapanese

Prints

Shoji-View of Garden

Saitō Kiyoshi 斉藤清, Shōwa period, 1960

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

The Flower Arrangement

Keisai Eisen 渓斎英泉

Ukiyo-e woodblock-printed "surimono"; ink, color and metallic pigment on paper

Japanese

Prints

Actor Segawa Kikunojō in a Female Role Holding a Sword

Torii Kiyomitsu 鳥居清満, Edo period, mid 18th century

Ukiyo-e woodblock print in "hashira-e" format; ink and color on paper, with printed signature reading "Torii Kiyomitsu ga"

18th centuryJapanese

Prints

See no Evil, from the series See no Evil, Speak no Evil and Hear no Evil

Keisai Eisen 渓斎英泉

Ukiyo-e woodblock-printed surimono; ink, color, metallic pigment and embossing on paper

Japanese

Prints

Chinese Bridge at Seta, from the series Eight Views of Lake Biwa (ōmi hakkei)

Itō Shinsui, 1918

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Man Washing a Horse's Hoof/ The Horse-Presentation Ceremony (Aouma no sechie), Number Two from the series Three (Sanban no ni), with poems by Numahoko Shizuku, Ono no Yamazumi, Niji no Hashinari, Suwari Hōshi and Hananoya

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Pictures of Girl Meditating and Plum Tree through Window, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki)

Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese