PrintsJapanese19th century

Doe and Fawn, from the series A Collection of Thirty-Six Birds and Animals (Sanjūroku tori zukushi)

Edo period, circa 1825

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in shikishi format; ink, color and metallic pigment on paper with printed signature reading "Hokkei"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 21.2 x W. 17.8 cm (8 3/8 x 7 in.)

Related Artworks

Prints

Actor Iwai Kumesaburō 2nd Fighting Over Banner, part of a spring kyōka surimono pentaptych for the Sugawara Group led by Shakuyakutei Nagane

Utagawa Kunisada 歌川国貞, Edo period, circa 1822-1826 (mid Bunsei era)

Second panel from an ukiyo-e woodblock-printed "shikishi-ban" surimono-format pentaptych; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

No. 2, 3, and 4 from the series The Boulder Door of Spring (Haru no iwato)

Totoya Hokkei 魚屋北渓, 1825

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Yakusha butai no sugata-e?

Utagawa Toyokuni 歌川豊国, 18th-19th century

Center panel from an ukiyo-e woodblock-printed "ōban" triptych(?); ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese

Prints

Actor Ichikawa Danjūrō as Benkai and Two Boys

Utagawa Toyokuni 歌川豊国, 19th century

Ukiyo-e woodblock-printed "surimono"; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Black Seabream (Kurodai), Small Seabream (Kodai) and Japanese Peppercorns (Sansho), from the series A Shoal of Fishes (Uo-zukushi)

Utagawa Hiroshige 歌川広重, Late Edo period, 19th century

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 2; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei, 19th century

Woodblock-printed, thread-bound volume (second of a set of three); ink and colors on paper

19th centuryJapanese

Prints

BEGONIA BLOSSOMS AND A DRAGONFLY

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Ōe no Takachika (Chomonjū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Utsunoya Makikata

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Surimono with Poems and Abstract Designs

Nakajima Raishō 中島来章, Late Edo period, circa 1820-1860

Ukiyo-e woodblock-printed "surimono"; ink and color on paper

19th centuryJapanese

Prints

Three Geese

Katsushika Hokusai 葛飾北斎, 17th-19th century

Ukiyo-e woodblock print; ink and color on paper

17th-19th centuryJapanese

Prints

Travelers on a Ferry/ Maisaka, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

Beating the Second Wife According to the Old Custom

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese