PrintsJapanese
Mount Fuji from Edo, Sumida River
Artists
Totoya Hokkei 魚屋北渓Artist
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Satta Ridge (Satta mine), from the series Famous Sights of Japan (Nihon meishō zue)
Kobayashi Kiyochika 小林清親, 1896 (Meiji 29)
Woodblock print (nishiki-e); ink and color on paper
19th centuryJapanesePrints
Circus Scene with Changeable Central Acts
Utagawa Masanobu, Early Meiji period, late 19th century
Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper
19th centuryJapanesePrints
Hanatori of the Ōgiya, from the series Fūzoku Mu Tamagawa (The Six Jewel Rivers in Popular Customs)
Utagawa Toyokuni II, early to mid-19th century
Woodblock print; ink and color on paper
19th centuryJapanesePrints
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet)
Utagawa Kunisada 歌川国貞, 1851, 8th month
Woodblock print; ink and color on paper
JapanesePrints
Triptych: Ghost of Sogo's Wife (Sogo no tsuma no tamashii)
Toyohara Kunichika, Meiji period, dated to 1893
Ukiyo-e woodblock-printed vertical "ōban" triptych; ink and color on paper with printed signature reading "Osetsu Toyohara Kunichika"
19th centuryJapanesePrints
Rain on the Tama River
Hiratsuka Un'ichi 平塚運一, Shōwa period,
Woodblock print; ink and color on paper
20th centuryJapanese
Prints
Cool Evening (Suzumi), from the series Twelve Figures of New Beauties (Shin bijin jūni sugata)
Itō Shinsui, Taishō period, dated 1922
Woodblock print; ink and color on paper
20th centuryJapanesePrints
Nihonbashi, from the series Thirty-six Views of the Eastern Capital (Tōto sanjūrokkei)
Utagawa Hiroshige II, Late Edo period, 1861
Woodblock print; ink and color on paper
19th centuryJapanesePrints
Poet Fujiwara no Okikaze from page 7B of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition
Hon'ami Kōetsu 本阿弥光悦, Momoyama period, published circa 1610
Page 7B of a thread-bound woodblock-printed book with paper cover; ink on paper
17th centuryJapanesePrints
Ceremony for Tying on the Sash
Yamamaro Umpo
Ukiyo-e woodblock-printed surimono; ink, color and embossing on paper
JapanesePrints
No. 34, Yoshida: the Toyo River (Toyokawa), from the series The Tōkaidō Road, The Fifty-three Stations (Tōkaidō, Gojūsan tsugi no uchi)
Utagawa Hiroshige 歌川広重, c. 1850-51
Japanese
Prints
Hibiscus and Black-naped Oriole
Utagawa Hiroshige 歌川広重, Late Edo period, dated 1830
Ink
19th centuryJapanese