PrintsJapanese19th century

Raikō and the Demon Kite

Edo period, circa 1825

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink, color and metallic pigment on paper with printed signature reading "Hokkei ga"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 21.0 cm x W. 18.3 cm (8 1/4 x 7 3/16 in.)

Related Artworks

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Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

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New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)

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Woodblock print (nishiki-e) right sheet of triptych; ink and color on paper

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Fuji the Day After Snow (Yuki no ashita Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

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Goggle-eyed Sea Bream and Bamboo Grass, from an untitled series known as Large Fish

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Actor Ichikawa Danjūrō 7th as Benkei, in the Fudō Myōō Pose (Fudō no mie), with poems by Bunshirō Koimasu and Bunsaisha Fudemaru

Utagawa Kunisada 歌川国貞, Edo period, circa 1824-1829 (late Bunsei era)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and embossing on paper

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Gyōsai's Discourses on Painting (Gyōsai gadan), vol. 2

Kawanabe Kyōsai 河鍋暁斎, 1887 (Meiji 20)

Woodblock-printed book; ink and on paper

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Awa Province: Naruto Whirlpools (Awa, Naruto no fūha), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue)

Utagawa Hiroshige 歌川広重, 1855 (Ansei 2), 9th month

Woodblock print (nishiki-e); ink and color on paper

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View of the Nakanochō Niwaka Festival from the corner of Inamoto-rō in the New Yoshiwara (Shinyoshiwara kakugai Inamoto-rō yori Nakanochō Niwaka ichiran no zu)

Utagawa Yoshiiku 歌川芳幾, 1869, 8th month

Woodblock print (nishiki-e) triptych; ink and color on paper

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Triptych: "Kaigun shoko to seishin no senryaku toron suru zu"

Mizuno Toshikata, Meiji period, dated 1894

Ukiyo-e woodblock-printed "ōban" triptych; ink and colors on paper

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Beating the Second Wife According to the Old Custom

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1852

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

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Pictures of Woman with Fan, Wave and Moon, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki)

Yashima Gakutei 八島岳亭, Edo period, early 1820s

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

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Mount Fuji Viewed from Musashino Fields

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock printed "naga-surimono"; ink and color on paper

19th centuryJapanese