PrintsJapanese19th century

The End of the Day

first half 19th century

Artists

Totoya Hokkei 魚屋北渓Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "naga-surimono" format (with text trimmed); ink and colors on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

18.6 x 51 cm (7 5/16 x 20 1/16 in.)

Related Artworks

Prints

Reflection in Lake Misaka, Kai Province (Kōshū Misaka suimen), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading "zen Hokusai Iitsu hitsu"

19th centuryJapanese

Prints

Fuji at Daybreak (Akatsuki no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

View of Ushimachi in Takanawa by Hazy Moonlight

Kobayashi Kiyochika 小林清親, 1879 (Meiji 12)

Woodblock print (nishiki-e): ink and color on paper

19th centuryJapanese

Prints

No. 26, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Nobleman with Attendant and Plum Tree with Moon, from an untitled series depicting folding screens for the Hisakataya Poetry Club

Ryūryūkyo Shinsai 柳々居辰斎, 19th century

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Geisha as the Seven Gods of Good Fortune (Shichifukujin)

Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese

Prints

An Indian or Siamese Rolling a Barrel Watched by a Chinese and a Dog, published by Moriya Jihei

Utagawa Sadahide, Late Edo period, ninth month of 1861

Center sheet from a Yokohama woodblock-printed ōban pentaptych; ink and color on paper

19th centuryJapanese

Prints

Illustrated Book of Famous Historical Stories from the Chinese and Japanese (Ehon kojidan), vol. 4

Tachibana Morikuni, 17th-19th century

Ink on paper

17th-19th centuryJapanese

Prints

Scene from Kabuki Theatre: Shower of Flames

Utagawa Kunisada 歌川国貞, Late Edo period, circa 1857-1862

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Golden Dolphin Finial (Kanshi surimono for Fukunoya Uchinari[?], leader of the Shippō Group)

Totoya Hokkei 魚屋北渓, Edo period, circa 1830-1835

Ukiyo-e woodblock-printed "surimono" in "shikishi" format; ink and color on paper

19th centuryJapanese

Prints

Descending Cranes at Imasugi Village

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print in "nagasurimono" format: ink and color on paper

19th centuryJapanese

Prints

Sumidagawa watashi no zu, from the series Tōto meisho zue

Utagawa Hiroshige 歌川広重, 19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese