PrintsJapanese19th century

View of the Honjo Lumber Yard

19th century

Artists

Utagawa KuninaoArtist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "naga-ban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 19.4 x W. 50.9 cm (7 5/8 x 20 1/16 in.)

Related Artworks

Prints

Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems

Kubo Shunman 窪俊満, Edo period, circa 1814-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Actor as Kan Shōjō

Utagawa Kunisada 歌川国貞, 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)

Utagawa Kunisada 歌川国貞, circa 1847–1852 (Kōka 4 – An'ei 5)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Harima Province, Maiko Beach (Harima, Maiko no hama), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue)

Utagawa Hiroshige 歌川広重, Edo period, 1854 (Kaei 6, 12th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Hiroshige hitsu"

19th centuryJapanese

Prints

American Merchant Admiring Miniature Cherry Tree He Just Acquired, published by Moriya Jihei

Utagawa Sadahide, Late Edo period, second month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Actor Nakamura Daikichi

Utagawa Toyokuni 歌川豊国, 19th century

Left panel from an ukiyo-e woodblock-printed "oban" diptych(?); ink and color on paper

19th centuryJapanese

Prints

Bamboo Yards, Kyōbashi Bridge (Kyōbashi Takegashi), Number 76 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (12th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Woman Red with White Chrysanthemums, from the series The Appearance of Upper-Class Women of the Edo period (Tokugawa jidai kifujin no sugata)

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, dated October 1895

Woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

19th centuryJapanese

Prints

Courtiers Approaching Stone Steps/ Kyoto (Kyō), from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

FAMOUS BRIDGES IN VAROUS PROVINCES, SEESHU AJIKAWA GUCHI TEMPOZAN-OSAKA

Katsushika Hokusai 葛飾北斎, 19th century

Ukiyo-e woodblock print in "?" format; ink and color on paper

19th centuryJapanese

Prints

SHAVEN PILGRIM (MITATE ŌTSU-E)

Shigenobu, 19th century

Ukiyo-e woodblock printed surimono in "shikishi" format; ink and color on paper, with printed signature reading "Rinsai Shigenobu"

19th centuryJapanese