Crane and Young

Crane and Young

Utagawa Toyoharu 歌川豊春

Ukiyo-e woodblock-print; ink, color, embossing and gold flecks on paper

Katsushika Taito II 二代葛飾戴斗, early 19th century

The Monkey Bridge

Woodblock print (nishiki-e); ink and color on paper

Utagawa Yoshiiku 歌川芳幾, Late Edo period, first month of 1861

Russian Couple (Oroshia)

Yokohama woodblock print in ōban format; ink and color on paper

Second Twelve Paragons, from the Twenty-Four Paragons of Filial Piety (Nijūshikō)

Kondō Kiyoharu, Mid Edo period, 1704-1720

Hand-colored ukiyo-e woodblock print: ink and color on paper

18th centuryJapanese

Utagawa Hiroshige 歌川広重, 19th century

ASAKUSA TEMPLE

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

Women Stretching Cloth

Katsushika Hokusai 葛飾北斎

Ukiyo-e woodblock-printed surimono or page from a printed book; ink and color on paper, and with printed signature reading "Sōri Aratame Hokusai Tatsumasa ga"

Kimura Yoshiharu, Shōwa period, dated 1965

North Wind

Woodblock print; ink and color on paper

20th centuryJapanese

Picture Book Chrysanthemum (Ehon chiyomigusa), vol. 3

Nishikawa Sukenobu 西川祐信, 1740 (Genbun 5)

Woodblock-printed book; ink on paper with later hand-applied color

18th centuryJapanese

No. 51, Ishibe: Mekawa Village (Mekawa no sato), from the series The Tōkaidō Road, The Fifty-three Stations (Tōkaidō, Gojūsan tsugi no uchi)

Utagawa Hiroshige 歌川広重, c. 1850-51

A Banquet with Entertainment

Chōbunsai Eishi 鳥文斎栄之, about 1795 (Kansei 7)

Woodblock print (nishiki-e); ink and color on paper

Ukiyo-e woodblock-print "surimono"; Ink, color and embossing on paper