PrintsJapanese

TWO ACTORS

Artists

Katsukawa Shun'ei 勝川春英Artist

Classification

Prints

Medium

Ukiyo-e woodblock print in "hosoban" format; ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 31.5 cm x W. 14.6 cm (12 3/8 x 5 3/4 in.)

Related Artworks

Prints

White Tea Container (Shiro nakatsugi) and Camellia, from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Suikiotei Baikei, Shichukan Hayazawa and Garyuen

Kubo Shunman 窪俊満, Edo period, circa 1817-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

TOKAIDO GOJU-SAN-TSUGI

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Clear Weather after Snow at Massaki (Massaki yukibare no zu), from the series Famous Places in the Eastern Capital (Tōto meisho)

Utagawa Hiroshige 歌川広重

Japanese

Prints

Kibi no Anihime (Nihongi), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Fukunoya Uchinari

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Fuji Carved (Kizami no Fuji): Detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Black, Large Broom (Kuro, Ōbōki), from an untitled series of Women Compared with Colors

Utagawa Sadakage (Gokotei)

Woodblock print (ukiyo-e, surimono); ink and color on paper

Japanese

Prints

Hot Springs Inn (Onsen yado)

Hashiguchi Goyō 橋口五葉, 1920 (Taishō 9), 7th month

Modern Japanese woodblock print; ink, color, mica and gold on paper

20th centuryJapanese

Prints

Tomo no atai Yakanushi (Shoku nihongoki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Chōseibō Iwane

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Black-Naped Oriole (Kōri), reprinted from the album A Compendium of Pictures of Birds Imported from Overseas (Kaihaku raikin zui)

Kitao Masayoshi, 1793

Woodblock print (nishiki-e); ink and color on paper

18th centuryJapanese

Prints

Poet Minamoto no Shigeyuki from page 17A of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition

Hon'ami Kōetsu 本阿弥光悦, Momoyama period, published circa 1610

Page 17A of a thread-bound woodblock-printed book with paper cover; ink on paper

17th centuryJapanese

Prints

No. 21, Mariko: Selling the Famous Yam Soup at the Station (Mariko, Ekichū meibutsu tororojiru o hisagu), from the series Famous Sights of the Fifty-three Stations (Gojūsan tsugi meisho zue), also known as the Vertical Tōkaidō

Utagawa Hiroshige 歌川広重, 20th century

Woodblock print; ink and color on paper

20th centuryJapanese

Prints

Picture of the Great Naval Battle Outside the Port of Lushun [Port Arthur] (Ryojunko-gai daikaisen zu)

Ōkura Kōtō, 1904

Ink and color on paper

20th centuryJapanese