PrintsJapanese19th century

The Mitsui Shop on Suruga Street in Edo (Edo Suruga-chō Mitsui-mise ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

c. 1831

Artists

Katsushika Hokusai 葛飾北斎Artist

Nishimuraya Yohachi 西村屋与八Publisher

Classification

Prints

Medium

Woodblock print (nishiki-e); ink and color on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

horizontal ōban: H. 25.5 x W. 37.8 cm (10 1/16 x 14 7/8 in.)

Related Artworks

Prints

Rough Sketch of the Lighthouse of Chōshi Harbor in Shimōsa (Sōshū Chōshikō tōdai ryakuzu)

Yōsai Kuniteru II 曜斎国輝, Meiji period, late 19th century

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

One Hundred Views of Mount Fuji (Fugaku hyakkei), Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

The second of a pair of thread-bound ukiyo-e woodblock-printed books in "hanshi-bon" format; ink on paper with signature reading "Gakyōrōjin Manji hitsu"

19th centuryJapanese

Prints

Two Large and Three Small Butterflies with text beginning "Hana no eda...", from the series An Illustrated Collection of Butterflies for the Kasumi Group (Kasumi-ren gunchō gafu), poems by Aitei Hoju and an associate

Kubo Shunman 窪俊満, Edo period, circa late Bunka Era (1804-1818)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink and color on paper

19th centuryJapanese

Prints

Defying a Shower of Bullets, He, Alone, Opened Hyonmu Gate

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Prints

Courtesan Seated with a Sake Cup/ Edo, from the series History of the Three Kingdoms, Courtesans in Peach Banquet (Sangokushi Tōen yakko), with poems by Fukunairō Mamenari and Fukkaian Namiyoshi

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Calendar Print (Egoyomi) of Monkey King Sun Wukong (Songoku)

Kubo Shunman 窪俊満, Edo period, 1812 (Year of the Monkey)

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

MATSUCHIYAMA, from the series Famous Places of the Eastern Capital (Tōto meisho)

Utagawa Kunikazu, Late Edo period, 1852

Ink and color on paper

19th centuryJapanese

Prints

Yoshida on the Tōkaidō (Yoshida Tōkaidō), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Great Elephant Born in Maruka in Central India (Tenjiku Maruka koku no san daizō), published by Kikuichi

Utagawa Yoshitoyo, Late Edo period, second month of 1863

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Actors Ichikawa Danjūrō 7th and Segawa Kikunojō 5th, with poem by Shichidaime Sanjō and prose inscription by Enyūtei

Utagawa Kunisada 歌川国貞, Edo period, circa 1819-1820 (Bunsei 2 or 3)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Act Six from the series Treasury of Loyal Retainers (Chūshingura: Roku danme)

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1843-1845

Ukiyo-e woodblock print in "yokoban" format; ink and color on paper

19th centuryJapanese

Prints

Woman Looking in Mirror

Ryūryūkyo Shinsai 柳々居辰斎, Edo period,

Ukiyo-e woodblock-printed "surimono"; ink, color and metallic pigment on paper

19th centuryJapanese