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TWO LADIES ON PIER | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
TWO LADIES ON PIER

TWO LADIES ON PIER

PrintsJapanese

TWO LADIES ON PIER

Artists

KatsuharuArtist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Bai Juyi (Hakurakuten), from the series A True Mirror of Chinese and Japanese Poetry (Shika shashin kyō)

Bai Juyi (Hakurakuten), from the series A True Mirror of Chinese and Japanese Poetry (Shika shashin kyō)

Katsushika Hokusai 葛飾北斎, c. 1833

Ink on paper

Illustrated Book: Scenes of Suruga and Edo (Ehon suruga-mai), 3rd of 3 volumes

Illustrated Book: Scenes of Suruga and Edo (Ehon suruga-mai), 3rd of 3 volumes

Kitagawa Utamaro 喜多川歌麿, Late Edo period, 1790

3rd of 3 thread-bound books; ink on paper

18th centuryJapanese

Scene from the jōruri Ukina no Hatsugasumi (Kiriza, Spring 1788) showing Actors Iwai Hanshirō 4th as Hisamatsu and Segawa Kikunojō 3rd as Osome with Three Musicians (Takatsu edition)

Scene from the jōruri Ukina no Hatsugasumi (Kiriza, Spring 1788) showing Actors Iwai Hanshirō 4th as Hisamatsu and Segawa Kikunojō 3rd as Osome with Three Musicians (Takatsu edition)

Torii Kiyonaga, c. 1788

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

18th centuryJapanese

Tomoe Gozen

Utagawa Toyokuni 歌川豊国, c. 1809 (Bunka 6)

Woodblock print (nishiki-e); ink and color on paper

Nihonbashi, from the series Thirty-six Views of the Eastern Capital (Tōto sanjūrokkei)

Nihonbashi, from the series Thirty-six Views of the Eastern Capital (Tōto sanjūrokkei)

Utagawa Hiroshige II, Late Edo period, 1861

Woodblock print; ink and color on paper

19th centuryJapanese

Boy Writing

Ryūryūkyo Shinsai 柳々居辰斎

Ukiyo-e woodblock printed "surimono"; ink and color on paper

Tōfujin, from the Twenty-Four Paragons of Filial Piety (Nijūshikō)

Tōfujin, from the Twenty-Four Paragons of Filial Piety (Nijūshikō)

Isoda Koryūsai 磯田湖龍齋, 18th century

Ukiyo-e woodblock print in "hashira-e" format; ink and color on paper

18th centuryJapanese

from the illustrated book "Kachō gaden"

from the illustrated book "Kachō gaden"

Katsushika Taito II 二代葛飾戴斗

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 1; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 1; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei, 19th century

Woodblock-printed, thread-bound volume (first of a set of three); ink and colors on paper

19th centuryJapanese

Page from Hagoromo (Feathered Robe)

Page from Hagoromo (Feathered Robe)

Matsubara Naoko, Shōwa period, circa 1984-1986

Large album of woodblock prints; ink (or ink and colors) on mulberry paper

20th centuryJapanese

Illustrated Guide to Kyoto (Kyō-suzume), 7 Volumes

Illustrated Guide to Kyoto (Kyō-suzume), 7 Volumes

Asai Ryōi, Early Edo period, 1665

Woodblock-printed book; thread-bound, ink and slight color on paper

17th centuryJapanese

Golden Pavilion (Kinkaku-ji)

Golden Pavilion (Kinkaku-ji)

Yoshida Hiroshi, Shōwa period, dated 1933

Woodblock print; ink and color on paper

20th centuryJapanese