PrintsJapanese

COURTESAU, SEATED

Artists

KiyomitteArtist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Poet Ki no Tomonori (c.845-905) from page 12A of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition

Hon'ami Kōetsu 本阿弥光悦, Momoyama period, published circa 1610

Page 12A of a thread-bound woodblock-printed book with paper cover; ink on paper

17th centuryJapanese

Prints

A Flower of the Ōgiya (Ōgiya uchi Hana) [= the courtesan Hanaōgi], from the series Array of Supreme Beauties of the Present Day (Tōji zensei bijin zoroe)

Kitagawa Utamaro 喜多川歌麿, c. 1794 (Kansei 6)

Woodblock print (nishiki-e); ink and color on paper

18th centuryJapanese

Prints

Harimayumi, from the series Classical Dances

Toshu

Ukiyo-e woodblock-printed "surimono"; ink, color and metallic pigment on paper

Japanese

Prints

Printed Lotus Sutra (Hokke-kyō), Vol. 3

Unknown Artist, Kamakura period, 1281-1292

10 volumes in book format; ink on paper (and with annotations in ink)

13th centuryJapanese

Prints

Mandarin Oranges in Lacquer Bowl, with poems by Banmensha Hayanori, Sotei Watanari, Asaka Manji, Sōchōsha Renjaku, Katainaka Katakoto and Teikunsha Ayando

Hishikawa Sori, Edo period, dated 1804

Ukiyo-e woodblock-printed "surimono" in "chūban" format; Ink, color and metallic pigment on paper

18th-19th centuryJapanese

Prints

Shrine Girl (Miko) Wearing High Geta and Holding Robe Over Her Head representing Humanity (Jin), from the series of Five Virtues for the Katsushika Group (Katsushika goban), with poems by Shunhan, Shogan and Shofudai

Kubo Shunman 窪俊満, Edo period, circa early 19th century

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

The Bedtime Sake Cup (Toko sakazuki), Number 6 from the series Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao guruma)

Suzuki Harunobu 鈴木春信, Edo period, circa 1769 (Meiwa 6)

Ukiyo-e woodblock print; ink and color on paper, with printed signature reading

18th centuryJapanese

Prints

Lustration and First Seven Steps of the Buddha

Nishimura Shigenaga, Mid Edo period, circa 18th century

Hand-colored Buddhist woodblock print; ink, color and applied brass filings on paper

18th centuryJapanese

Prints

Illustrated Story about Ono no Komachi (Komachi uta-arasoi), 2nd of 2 Volumes

Unknown Artist, Early Edo period, 1666

Two books, thread-bound, ink on paper

17th centuryJapanese

Prints

Takenouchi ō-omi (Takenouchi no Sukune), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Chinese Warrior Grappling with a Horse (Uma), from the series Twelve Zodiac Animals (Jūnishi)

Yashima Gakutei 八島岳亭, Edo period, circa 1820

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica and metallic pigment on paper

19th centuryJapanese

Prints

Circling the Crater of Fuji (Hakkai-meguri no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3

Katsushika Hokusai 葛飾北斎, Edo period, circa 1835-1847

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese