PrintsJapanese19th century

TOKAIDO GOJU-SAN-TSUGI

19th century

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Related Artworks

Prints

Fuji in a Good Harvest (Hōsaku no Fuji): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Soga brothers (Soga Kyōdai: Soga monogatari), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Hana Someemon and Harunoya Narutake

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Sumidagawa watashi no zu, from the series Tōto meisho zue

Utagawa Hiroshige 歌川広重, 19th century

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Diptych: Female Elephant from Central India (Tenjiku kudari daijōzō no zu), published by Otakuya Takichi

Ikkōsai Yoshimori 一光斎芳盛, Late Edo period, fourth month of 1861

Yokohama woodblock-printed ōban diptych; ink and color on paper

19th centuryJapanese

Prints

Sōgo at the Ferry Landing—An Authentic View

Kobayashi Kiyochika 小林清親, 1884 (Meiji 17)

Woodblock-print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Chinese Couple (Seikoku Nankin), published by Izumiya Ichibei

Utagawa Yoshikazu, Late Edo period, second month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Actor Ichikawa Danjūrō 7th as Usui no Sadamitsu in the play Yama mata yama hana no yamagatsu at the Ichimura Theatre (11th month of 1823), with poem by Hōshitei Masunari

Utagawa Kunisada 歌川国貞, Edo period, circa 1824 (Bunsei 7)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Foreigners Enjoying Children's Kabuki at the Gankirō Tea House (Yokohama Gankirō kodomo te odori no zu), published by Maruya Jimpachi

Utagawa Yoshikazu, Late Edo period, first month of 1861

Center sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

Night Patrol in the Snow near Niu-chuang (Gyūsō fukin setsuya no sekkō)

Kobayashi Kiyochika 小林清親, Meiji period,

Right panel from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

No. 23, from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)

Utagawa Kunisada 歌川国貞, c. 1847-1852 (Kōka 4- An'ei 5)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

Pictures of Actor as Woodcutter Mita no Tsukō and Peonies, from the series Ten Designs for the Honchō Circle (Honchōren jūban tsuzuki)

Yashima Gakutei 八島岳亭, Edo period, mid 1820s

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color, mica, metallic pigment and embossing on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Procession

Utagawa Sadahide, 19th century

Yokohama woodblock print; ink and color on paper

19th centuryJapanese