PrintsJapanese19th century

Wedding Dolls, with poem by Suraien Tenma

Edo period, circa early 19th century

Artists

Kubo Shunman 窪俊満Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed surimono in "kokonotsugiri-ban" format; ink, color, metallic pigment and embossing on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 13.9 cm x W. 18.9 cm (5 1/2 x 7 7/16 in.)

Related Artworks

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No. 12, from the series Primary Education: Manners for Women, Explained in Pictures (Shōgaku joreishiki zukai)

Adachi Ginkō 安達吟光, c. 1882

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Travelers Waling by a Well/ Ōtsu, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

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Kameyama: Clear Weather after Snow (Kameyama, yukibare), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

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Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading: "zen Hokusai Iitsu hitsu"

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Three Men Resting in an Inn/ Shōno, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

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Ukiyo-e woodblock print; Ink and color on paper

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Three Women Reaching for Shuttlecock, with poem by Senrintei

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Ukiyo-e woodblock-printed "surimono" in "kokonotsu-giri ban" format; Ink, color and metallic pigment on paper

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WOMAN SEATED ON THE GROUND

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Ukiyo-e woodblock printed surimono in "shikishi" format; ink, color and metallic pigment on paper

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Miyajima, No. 3 (Sono san), from the set Three Scenic Views (Sankei no uchi)

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Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

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IN THE COOL OF THE EVENING AT RYOGOKU BRIDGE, from the series Famous Places of the Eastern Capital (Tōto meisho)

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Ink and color on paper

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Englishmen (Igirisujin), published by Manya Yoshibei

Utagawa Yoshikazu, Late Edo period, eighth month of 1861

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Beauty with Child Attendant

Utagawa Toyokuni 歌川豊国, 1821-25

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Triptych: Geisha as the Seven Gods of Good Fortune (Shichifukujin)

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Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

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