before 1140
Originally part of a longer scroll copied from a lost work by the Five Dynasties painter Zhou Wenju, this scroll is an important relic of Chinese court figure painting. Executed in the "baimiao" or outline mode with touches of color only in their red hair ribbons and lips, the women and children of these intimate scenes are brought vividly to life by the sensitive brushwork of the artist. Additional scrolls preserving the other sections of Zhou Wenju's composition are found in the Metropolitan Museum of Art, the Cleveland Museum of Art, and at Villa I Tatti, Florence. A colophon dated to 1140 and preserved with the Cleveland portion states that this copy of Zhou Wenju's scroll was made for the scholar and critic Zhang Cheng (d. 1143).
H. 25.7 x W. 177 cm (10 1/8 x 69 11/16 in.)
Oil on canvas
19th centuryAmericanHanging scroll; ink on paper; with signature of the artist reading "Nam-ha sa"; with three seals of the artist
19th centuryKoreanOne of four paintings mounted as a handscroll; ink on paper
15th centuryChineseOil on canvas
19th centuryFrench
Oil on canvas
21st centuryAmericanFifth panel from a six-panel folding screen; ink on paper; the painting with signature of the artist reading "Ch'ui-ŭn" ("Drunken Hermit")
17th centuryKorean
Oil on canvas
20th centuryAmericanOil on linen canvas
19th centuryFrenchOil on canvas
20th centuryAmericanOil on canvas
19th centuryAmericanGraphite on canvas
19th-20th centuryAmericanOil on canvas
16th-17th centuryItalian, Venetian