Tools Services Portfolio About Contact

Tools Services Portfolio About Contact

Made with by Lê Trực 0983470827 © 2025 KenAI.vn

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou | Harvard Art Museums | KenAI

Harvard Art Museums
Artworks
Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

PrintsJapanese19th century

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

1895 (Meiji 28)

Artists

Kobayashi Kiyochika 小林清親Artist

Matsuki Heikichi 松木平吉Publisher

Description

Triptych: 1944.5.18.1 (right), 1944.5.18.2 (center), 1944.5.18.3 (left)

Classification

Prints

Technique

Woodblock print

Medium

Woodblock print (nishiki-e) triptych; ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

vertical ōban triptych: H. 36.9 cm x W. 72.4 cm (14 1/2 x 28 1/2 in.)

Related Artworks

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Braving the Bitter Cold, Our Troops Set Up Camp at Yingkou

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese

Battle at Jinzhoucheng on the Road to Port Arthur

Battle at Jinzhoucheng on the Road to Port Arthur

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Minamoto Tametomo, from the series The Unofficial History of Japan (Nihon gaishi no uchi)

Minamoto Tametomo, from the series The Unofficial History of Japan (Nihon gaishi no uchi)

Kobayashi Kiyochika 小林清親, 1884 (Meiji 17)

Woodblock print (nishiki-e): ink, color, and metallic pigments on paper

19th centuryJapanese

Attack at the Site of the Hundred-Foot Cliff

Attack at the Site of the Hundred-Foot Cliff

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

The Glory of a Yokohama Wrestler (Yokohama rikishi no homare)

The Glory of a Yokohama Wrestler (Yokohama rikishi no homare)

Ikkōsai Yoshimori 一光斎芳盛, 1861 (Bunkyū 1), 3rd month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Yūgiri and Izaemon, from the series Tailored Journeys of Couple's Crests (Hiyoku mon michiyuki shitate)

Yūgiri and Izaemon, from the series Tailored Journeys of Couple's Crests (Hiyoku mon michiyuki shitate)

Kitagawa Utamaro II, early 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Actor Ichikawa Danjūrō VII as Soga Gorō Tokimune

Actor Ichikawa Danjūrō VII as Soga Gorō Tokimune

Utagawa Toyokuni 歌川豊国, early 19th century

Woodblock print; ink and color on paper

19th centuryJapanese

Actors Segawa Kikunojo (R), Ichikawa Danjūrō VII as Miyamoto Tomojirō (C) and Kataoka Chōdayū III as the courtesan Azumaji (L)

Actors Segawa Kikunojo (R), Ichikawa Danjūrō VII as Miyamoto Tomojirō (C) and Kataoka Chōdayū III as the courtesan Azumaji (L)

Utagawa Toyokuni 歌川豊国, 1817 (Bunka 14), 9th month

Woodblock-printed triptych; ink and color on paper

19th centuryJapanese

Suruga Street (Suruga-chō), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Suruga Street (Suruga-chō), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1856 (Ansei 3), 9th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Possibly Actor Bandō Hikosaburō III

Possibly Actor Bandō Hikosaburō III

Katsukawa Shun'ei 勝川春英, late 18th-early 19th century

Woodblock print (nishiki-e); ink and color on paper

18th-19th centuryJapanese

Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Inside Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1856 (Ansei 3), 7th month

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

The Fall of Fenghuangcheng, later called Our Elite Forces Capturing the Pescadores Islands in Taiwan

Kobayashi Kiyochika 小林清親, 1894 (Meiji 27)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese