PrintsJapanese19th century

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Meiji period, circa late 19th century

Artists

Adachi Ginkō 安達吟光Artist

Classification

Prints

Medium

Ukiyo-e woodblock print: ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

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Prints

Foreigners Enjoying Children's Kabuki at the Gankirō Tea House (Yokohama Gankirō kodomo te odori no zu), published by Maruya Jimpachi

Utagawa Yoshikazu, Late Edo period, first month of 1861

Right sheet from a Yokohama woodblock-printed ōban triptych; ink and color on paper

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Turtles and Sake Cup

Yashima Gakutei 八島岳亭, Edo period, circa 1827-1829

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Priest Huiyuan (Eon Hōshi), from the series Three Laughers at Children's Playful Spirits (Kokei ni sanshō)

Kitagawa Utamaro 喜多川歌麿, c. 1802 (Kyōwa 2)

Woodblock print (nishiki-e); ink and color on paper

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SURIMONO WITH POEMS AND RITUAL BRONZE VESSEL

Nakajima Raishō 中島来章, Late Edo period, circa 1820-1860

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Prints

Woman Red with White Chrysanthemums, from the series The Appearance of Upper-Class Women of the Edo period (Tokugawa jidai kifujin no sugata)

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, dated October 1895

Woodblock print in "ōban" format; ink and color on paper

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Hilltop View, Yushima Tenjin Shrine (Yushima Tenjin sakaue chōbō), Number 117 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Prints

An Indian or Siamese Rolling a Barrel Watched by a Chinese and a Dog, published by Moriya Jihei

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Center sheet from a Yokohama woodblock-printed ōban pentaptych; ink and color on paper

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Illustration of the Landing and Advance to Weihaiwei

Kobayashi Kiyochika 小林清親, 1895 (Meiji 28)

Woodblock print (nishiki-e); ink and colors on paper

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Minamoto Tametomo, from the series The Unofficial History of Japan (Nihon gaishi no uchi)

Kobayashi Kiyochika 小林清親, 1884 (Meiji 17)

Woodblock print (nishiki-e): ink, color, and metallic pigments on paper

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Left: Cypress Fan (Hidari, hiōgi), Right: Courtesan Hanaōgi (Migi Hanaōgi), from the series Three Fan Comparisons (Ōgi awase sanban no uchi)

Utagawa Kunisada 歌川国貞, Edo period, circa 1820 (Bunsei 3)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color and metallic pigment on paper

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Courtesan Playing Koto, with poems by Shakuyakutei Uranari and an associate

Katsushika Hokusai 葛飾北斎, Edo period, circa 1798

Woodblock print (surimono); ink and color on paper

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Descending Cranes at Imasugi Village

Utagawa Hiroshige 歌川広重, 19th century

Ukiyo-e woodblock print in "nagasurimono" format: ink and color on paper

19th centuryJapanese