PrintsJapanese19th century

Precincts of the Shiba Shinmei Shrine (Shiba Shinmei keidai), from the series Famous Places in the Eastern Capital (Tōto meisho)

Late Edo period, circa 1830-1839

Artists

Utagawa Hiroshige 歌川広重Artist

Classification

Prints

Medium

Polychrome woodblock

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

H. 37.3 x W. 24.9 cm (14 11/16 x 9 13/16 in.)

Related Artworks

Prints

Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi)

Tsukioka Yoshitoshi 月岡芳年, Meiji period, datable to 1884

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Triptych: America (Amerikakoku), published by Shimizuya Naojirō

Utagawa Yoshitomi, Late Edo period, sixth month of 1867

Yokohama woodblock-printed "ōban" triptych; ink and color on paper, with printed signature reading "Yoshitora ga"

19th centuryJapanese

Prints

Appearance of Hōeizan (Hōeizan shutsugen): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Chrysanthemums at Court

Yōshū (Hashimoto) Chikanobu (楊洲周延), Meiji period, 1890

Left sheet from a woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Hōjō Yasutoki (Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Ikenoya Kamemori and Takinoya Kiyome

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Newly Published View of a Performance at Sakaichō (Shinpan tōto Sakaichō ōshibai no zu)

Utagawa Yoshimaru, 19th century

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese

Prints

?, from the series Thirty-Six Views of Tokyo

Utagawa Kuniyoshi 歌川国芳, Late Edo period

Ukiyo-e woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Hotei, Dandelions and White Poetry Slip (Tanzaku), with poems by Ryōhōtei Tsunebumi and Hasendō Tenma

Totoya Hokkei 魚屋北渓, Edo period,

Ukiyo-e woodblock printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese

Prints

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku)

Chōbunsai Eishi 鳥文斎栄之, late 18th to early 19th century

Woodblock print (nishiki-e); ink and color on paper

18th-19th centuryJapanese

Prints

Fuji under the Moon (Gekka no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Katsushika Hokusai 葛飾北斎, Edo period, 1835 (Tempō 6)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Woodblock print; ink and color on paper

19th centuryJapanese

Prints

Morning Glory and Cockscomb, from the Kōrin gafu (Kōrin Picture Album)

Nakamura Hōchū 中村芳中, 1802

Woodblock-printed book (28 detached leaves); ink and color on paper

19th centuryJapanese