PaintingsJapanese16th century

Landscape

16th century

Artists

ChikuyōArtist

Classification

Paintings

Medium

Hanging scroll; ink on paper

Culture

Japanese

Period

Muromachi period, 1392-1568

Century

16th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

image only: 40.2 x 30 cm (15 13/16 x 11 13/16 in.) display dimensions: 118.5 x 44.9 cm (46 5/8 x 17 11/16 in.)

Related Artworks

Paintings

The Plum Tree Branch (Umegae), Illustration to Chapter 32 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-second of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

At the Pass (Sekiya), Illustration to Chapter 16 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The sixteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

The Typhoon (Nowaki), Illustration to Chapter 28 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-eighth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

The Maidens (Otome), Illustration to Chapter 21 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

A Lover's Visit While Cherries Blossom (Episode 17) from the "Tales of Ise" (Ise monogatari)

Tosa School, Late 16th-early 17th century

One of twelve album leaves; ink, color and gold on paper

16th-17th centuryJapanese

Paintings

The Law (Minori), Illustration to Chapter 40 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fortieth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

Scene from the Illustrated Book on Famous Places in Kyoto (Kyō meisho zuchō)

Unknown Artist, 16th century

One of eight paintings mounted in accordion-fold album format; ink, color and gold on paper

16th centuryJapanese

Paintings

Under the Cherry Blossoms (Hana no En), Illustration to Chapter 8 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The eighth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

The Floating Bridge of Dreams (Yume no Ukihashi), Illustration to Chapter 54 of the Tale of Genji (Genji monogatari)

Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifty-fourth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese

Paintings

Scene from the Illustrated Book on Famous Places in Kyoto (Kyō meisho zuchō)

Unknown Artist, 16th century

One of eight paintings mounted in accordion-fold album format; ink, color and gold on paper

16th centuryJapanese

Paintings

Story of Tameyo (Tameyo zōshi) in Two Volumes

Unknown Artist, Muromachi period, 16th century

Book now mounted as two handscrolls; ink, color and gold on paper

16th centuryJapanese

Paintings

Narihira Viewing Irises at Yatsuhashi (Episode 9) from the "Tales of Ise" (Ise monogatari)

Tosa School, Late 16th to early 17th century

One of twelve album leaves; ink, color and gold on paper

16th-17th centuryJapanese