Qianlong period, 1736 - 1795
1.6 x 15.3 x 2.8 cm (5/8 x 6 x 1 1/8 in.)
Opaque watercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard
19th centuryPersianOpaque and semi-opaque watercolor and shell-gold flakes on prepared pasteboard under shellac varnish
18th-19th centurySingle piece of wood split at one end to form bristles
JapaneseOil paint, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOil paint, gold-colored pigments, and lacquer on pasteboard
20th centuryKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapanese